SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 55
... appearance and reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt ...
... appearance and reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt ...
Pagina 71
... appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' . It was a deep non - logical apprehension - yet working with a logic of its own - that prompted ...
... appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' . It was a deep non - logical apprehension - yet working with a logic of its own - that prompted ...
Pagina 73
... appearance . But why does it dote ? Because it is ' inclinable to what infectiously itself affects ' . What then is ' infection ' , and what is health ? These ques- tions take us to the heart of the human mystery . If Troilus and ...
... appearance . But why does it dote ? Because it is ' inclinable to what infectiously itself affects ' . What then is ' infection ' , and what is health ? These ques- tions take us to the heart of the human mystery . If Troilus and ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words