SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 9
... activity and responsiveness combines the power of focusing lucidly on what is before it with an awareness of before and after , sensing the whole in the part , and with a triumphant energy relating part to part in a living whole . But ...
... activity and responsiveness combines the power of focusing lucidly on what is before it with an awareness of before and after , sensing the whole in the part , and with a triumphant energy relating part to part in a living whole . But ...
Pagina 13
... activity that it calls for if we are to meet it fully . The reader knows that what he has to deal with is not statement poetically embellished , from which the metaphors and figures could be subtracted leaving the meaning more or less ...
... activity that it calls for if we are to meet it fully . The reader knows that what he has to deal with is not statement poetically embellished , from which the metaphors and figures could be subtracted leaving the meaning more or less ...
Pagina 118
... activity - ' laying ' hedges , ploughing , and so on are taken as representative examples -it is a state in which arts and sciences and daily beauty and utility are conceived both as end and as condition of the fertility on which all ...
... activity - ' laying ' hedges , ploughing , and so on are taken as representative examples -it is a state in which arts and sciences and daily beauty and utility are conceived both as end and as condition of the fertility on which all ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words