SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 9
... that is not because possible associations and recurrences are puzzled out by the intellect , but because the mind at a certain pitch of activity and responsiveness combines the power of focusing lucidly on what is before it with an ...
... that is not because possible associations and recurrences are puzzled out by the intellect , but because the mind at a certain pitch of activity and responsiveness combines the power of focusing lucidly on what is before it with an ...
Pagina 13
the depth and activity of response at which art may be said to aim . When we claim that the essential structure of Shakespearean tragedy is poetic we at least do no violence to Shakespeare the Elizabethan dramatist .
the depth and activity of response at which art may be said to aim . When we claim that the essential structure of Shakespearean tragedy is poetic we at least do no violence to Shakespeare the Elizabethan dramatist .
Pagina 118
Conceived throughout as a wholesome activity - ' laying ' hedges , ploughing , and so on are taken as representative examples -it is a state in which arts and sciences and daily beauty and utility are conceived both as end and as ...
Conceived throughout as a wholesome activity - ' laying ' hedges , ploughing , and so on are taken as representative examples -it is a state in which arts and sciences and daily beauty and utility are conceived both as end and as ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words