SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 112
The action moves directly and quickly to the crisis , and from the crisis to the full working out of plot and theme . The pattern is far easier to grasp than that of Lear . The main theme of the reversal of values is given out simply ...
The action moves directly and quickly to the crisis , and from the crisis to the full working out of plot and theme . The pattern is far easier to grasp than that of Lear . The main theme of the reversal of values is given out simply ...
Pagina 209
Delay in the action , that is in the carrying out of Hamlet's strategy against the King , can of course be explained : he had to find out if the Ghost was telling the truth about the murder , and so on . But the fact remains that one of ...
Delay in the action , that is in the carrying out of Hamlet's strategy against the King , can of course be explained : he had to find out if the Ghost was telling the truth about the murder , and so on . But the fact remains that one of ...
Pagina 215
Does ' To be , or not to be ' refer to a contemplated action , to the continuation of Hamlet's life , or to survival after death ? When he speaks of ' The undiscover'd country from whose bourn No traveller returns ' , has he forgotten ...
Does ' To be , or not to be ' refer to a contemplated action , to the continuation of Hamlet's life , or to survival after death ? When he speaks of ' The undiscover'd country from whose bourn No traveller returns ' , has he forgotten ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words