SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 16
Pagina 71
... Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's position within the Shakespearean sequence . Time dominates many of the Sonnets ; time and death , the ...
... Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's position within the Shakespearean sequence . Time dominates many of the Sonnets ; time and death , the ...
Pagina 72
... Troilus's from which reason is excluded . Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is ...
... Troilus's from which reason is excluded . Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is ...
Pagina 155
... Troilus and Cressida ( c . 1602 ) and Othello ( 1603 ) pursue the problem at a much deeper level . Troilus and Cressida is far too complex a play to be dealt with briefly , and here a few words must suffice . I have tried to show ...
... Troilus and Cressida ( c . 1602 ) and Othello ( 1603 ) pursue the problem at a much deeper level . Troilus and Cressida is far too complex a play to be dealt with briefly , and here a few words must suffice . I have tried to show ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words