SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 65
He is , significantly , overborne by Troilus , whose idiomatic vigour of speech ( ' you fur your gloves with reasons ' ) proclaims an intensely personal approach to matters that Hector tries to see as examples of a general law .
He is , significantly , overborne by Troilus , whose idiomatic vigour of speech ( ' you fur your gloves with reasons ' ) proclaims an intensely personal approach to matters that Hector tries to see as examples of a general law .
Pagina 66
168-71 ) But it is Troilus who wins the day . There is the same intense subjectivism in Troilus's love poetry . I am giddy , expectation whirls me round . The imaginary relish is so sweet That it enchants my sense .
168-71 ) But it is Troilus who wins the day . There is the same intense subjectivism in Troilus's love poetry . I am giddy , expectation whirls me round . The imaginary relish is so sweet That it enchants my sense .
Pagina 72
Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its ...
Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words