SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 167
... Timon's misanthropy . Put simply , it is that the speeches of disgust and vituperation addressed to mankind at large are extraordinarily powerful , yet at the same time distorted and excessive , and the problem is to know how we are to ...
... Timon's misanthropy . Put simply , it is that the speeches of disgust and vituperation addressed to mankind at large are extraordinarily powerful , yet at the same time distorted and excessive , and the problem is to know how we are to ...
Pagina 170
... Timon'1 ; and during the masque , ' the Lords rise from table , with much adoring of Timon ' . There is indeed , as Apemantus remarks , much ' serving of becks and jutting - out of bums ' . And it is not only Apemantus , the ...
... Timon'1 ; and during the masque , ' the Lords rise from table , with much adoring of Timon ' . There is indeed , as Apemantus remarks , much ' serving of becks and jutting - out of bums ' . And it is not only Apemantus , the ...
Pagina 171
... Timon in IV , iii he makes a ' placing ' comment : ' The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st have loved thyself better now ' . Timon has taken on ...
... Timon in IV , iii he makes a ' placing ' comment : ' The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st have loved thyself better now ' . Timon has taken on ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words