SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 67
... Professor Wilson Knight . Professor Knight makes some necessary distinctions ( he was I believe the first to do so ) between Greek intellect and Trojan intuition ; but he seems to me to attribute to the latter a more positive value than ...
... Professor Wilson Knight . Professor Knight makes some necessary distinctions ( he was I believe the first to do so ) between Greek intellect and Trojan intuition ; but he seems to me to attribute to the latter a more positive value than ...
Pagina 173
... Professor H. D. F. Kitto's Form and Meaning in Drama.1 It would be almost an impertinence for me to praise it , but I may say that even for a Greekless reader it is a fascinating experience to see how a scholar who is also a critic sets ...
... Professor H. D. F. Kitto's Form and Meaning in Drama.1 It would be almost an impertinence for me to praise it , but I may say that even for a Greekless reader it is a fascinating experience to see how a scholar who is also a critic sets ...
Pagina 244
... Professor Dover Wilson in the New Cambridge edition ) , Iv . ii . 33-5 . Both these passages are spoken by the Archbishop of York . Bolingbroke's version of affairs is similar : he had no intention of taking the throne from Richard ...
... Professor Dover Wilson in the New Cambridge edition ) , Iv . ii . 33-5 . Both these passages are spoken by the Archbishop of York . Bolingbroke's version of affairs is similar : he had no intention of taking the throne from Richard ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words