SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 157
... Othello , where attention centres on those elements in Othello's mind and feelings , his attitudes towards himself , that make him so vulnerable to Iago . III On Othello there are two brilliant essays - one by Wilson Knight , in The ...
... Othello , where attention centres on those elements in Othello's mind and feelings , his attitudes towards himself , that make him so vulnerable to Iago . III On Othello there are two brilliant essays - one by Wilson Knight , in The ...
Pagina 160
... Othello music ' , the Othello idiom , is one that does not engage very closely with actuality . Value is insistently attributed to what is remote , or to that world of simplified action where Othello was , so to speak , at home - the ...
... Othello music ' , the Othello idiom , is one that does not engage very closely with actuality . Value is insistently attributed to what is remote , or to that world of simplified action where Othello was , so to speak , at home - the ...
Pagina 161
... Othello's self - idealization , his promptness to jealousy and his blindness are shown in their essential relation . ' It is for reasons such as these that Othello is vulner- able to Iago - that Iago who is so much less than a fully ...
... Othello's self - idealization , his promptness to jealousy and his blindness are shown in their essential relation . ' It is for reasons such as these that Othello is vulner- able to Iago - that Iago who is so much less than a fully ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words