SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 202
... Ophelia . Hamlet . . . . if you be honest and fair , your honesty should admit no discourse to your beauty . Ophelia . Could beauty , my lord , have better commerce than with honesty ? Hamlet . Ay , truly ; for the power of beauty will ...
... Ophelia . Hamlet . . . . if you be honest and fair , your honesty should admit no discourse to your beauty . Ophelia . Could beauty , my lord , have better commerce than with honesty ? Hamlet . Ay , truly ; for the power of beauty will ...
Pagina 206
... Ophelia Ophelia whom he had said he loved , and she believed him - and it would not excuse it even if we were to accept Professor Dover Wilson's shift of a stage direction in II . ii . which makes Hamlet suspect her as a willing decoy ...
... Ophelia Ophelia whom he had said he loved , and she believed him - and it would not excuse it even if we were to accept Professor Dover Wilson's shift of a stage direction in II . ii . which makes Hamlet suspect her as a willing decoy ...
Pagina 222
... Ophelia on which we have already had occasion to comment , and which makes fully explicit the direction of the emotional current of the soliloquy . To quote John Vyvyan again , the dialogue with Ophelia ' is really a continuation of the ...
... Ophelia on which we have already had occasion to comment , and which makes fully explicit the direction of the emotional current of the soliloquy . To quote John Vyvyan again , the dialogue with Ophelia ' is really a continuation of the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words
Informații bibliografice
| Titlu | SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
| Autor | L.C. KNIGHTS |
| Publicată | 1960 |
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