SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 199
... Max Plowman sees Hamlet's state as one phase in a develop- ment that is not peculiar to any one individual ; how- ever far Hamlet goes astray he starts from a point through which everyone or almost everyone - must pass who is to rise ...
... Max Plowman sees Hamlet's state as one phase in a develop- ment that is not peculiar to any one individual ; how- ever far Hamlet goes astray he starts from a point through which everyone or almost everyone - must pass who is to rise ...
Pagina 200
L.C. KNIGHTS. consciousness , as Max Plowman remarks in this same essay , is the Imagination . Hamlet , for all his ranging mind and his nervous susceptibility , is not in this sense imaginative ; in Blakean terms he is in the power of ...
L.C. KNIGHTS. consciousness , as Max Plowman remarks in this same essay , is the Imagination . Hamlet , for all his ranging mind and his nervous susceptibility , is not in this sense imaginative ; in Blakean terms he is in the power of ...
Pagina 218
... Max Plowman . See ' Some Values in Hamlet ' , The Right to Live , pp . 156 ff . 2 Book IV , Prose ii , which is said to be a paraphrase of Plato's Gorgias . 1 On the relation of Shakespeare's thought to traditional doctrine 218 AN ...
... Max Plowman . See ' Some Values in Hamlet ' , The Right to Live , pp . 156 ff . 2 Book IV , Prose ii , which is said to be a paraphrase of Plato's Gorgias . 1 On the relation of Shakespeare's thought to traditional doctrine 218 AN ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words