SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 112
... Macbeth that gives the keenest impression of economy . The action moves directly and quickly to the crisis , and ... Macbeth will plunge himself . Well before the end of the first act we are in possession not only of the positive values ...
... Macbeth that gives the keenest impression of economy . The action moves directly and quickly to the crisis , and ... Macbeth will plunge himself . Well before the end of the first act we are in possession not only of the positive values ...
Pagina 125
... Macbeth . That the man who breaks the bonds that tie him to other men , who ' pours the sweet milk of concord into Hell ' , is at the same time violating his own nature and thwarting his own deepest needs , is something that the play ...
... Macbeth . That the man who breaks the bonds that tie him to other men , who ' pours the sweet milk of concord into Hell ' , is at the same time violating his own nature and thwarting his own deepest needs , is something that the play ...
Pagina 255
... Macbeth ' , in The Imperial Theme , especially pp . 140-1 , 144-5 , 148-51 . In con- trast , Macbeth projects onto Nature his own malice ; for example at III . ii . 13-15- We have scorch'd the snake , not kill'd it ; She'll close , and ...
... Macbeth ' , in The Imperial Theme , especially pp . 140-1 , 144-5 , 148-51 . In con- trast , Macbeth projects onto Nature his own malice ; for example at III . ii . 13-15- We have scorch'd the snake , not kill'd it ; She'll close , and ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words