SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 40
Pagina 113
... Macbeth's despairing recognition of mere ' mouth - honour ' among his remaining followers ( v . iii . 27 ) echoes ironically his wife's advice to ' look like th ' innocent ... Macbeth's crime is unnatural ( i.e. inhuman ) 113 ' MACBETH '
... Macbeth's despairing recognition of mere ' mouth - honour ' among his remaining followers ( v . iii . 27 ) echoes ironically his wife's advice to ' look like th ' innocent ... Macbeth's crime is unnatural ( i.e. inhuman ) 113 ' MACBETH '
Pagina 125
... Macbeth . In Macbeth's apocalyptic soliloquy before the murder , the ' Pity ' that dominates the chaotic natural forces and rides the whirlwind appears as a new - born babe - an offspring of humanity , naked , vulnerable , and powerful ...
... Macbeth . In Macbeth's apocalyptic soliloquy before the murder , the ' Pity ' that dominates the chaotic natural forces and rides the whirlwind appears as a new - born babe - an offspring of humanity , naked , vulnerable , and powerful ...
Pagina 255
... Macbeth ' , in The Imperial Theme , especially pp . 140-1 , 144-5 , 148-51 . In contrast , Macbeth projects onto Nature his own malice ; for example at III . ii . 13-15We have scorch'd the snake , not kill'd it ; She'll close , and be ...
... Macbeth ' , in The Imperial Theme , especially pp . 140-1 , 144-5 , 148-51 . In contrast , Macbeth projects onto Nature his own malice ; for example at III . ii . 13-15We have scorch'd the snake , not kill'd it ; She'll close , and be ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words