SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 97
since it is virtually on this note ( after a momentary return to a futile fantasy of revenge ) that Lear gives way completely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into ...
since it is virtually on this note ( after a momentary return to a futile fantasy of revenge ) that Lear gives way completely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into ...
Pagina 103
Only an inhibiting fear of life could prevent us from taking the full force of Lear's great indictment : only a refusal to meet honestly -- so far as we mayall that Shakespeare sets in relation to it could make us blind to the irony ...
Only an inhibiting fear of life could prevent us from taking the full force of Lear's great indictment : only a refusal to meet honestly -- so far as we mayall that Shakespeare sets in relation to it could make us blind to the irony ...
Pagina 250
Even Miss Welsford attributes Lear's madness to the action of his daughters — that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . " The real horror lies not in the fact that ...
Even Miss Welsford attributes Lear's madness to the action of his daughters — that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . " The real horror lies not in the fact that ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words