SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
Din interiorul cărții
Rezultatele 1 - 3 din 72
Pagina 82
... Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done to Lear ...
... Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done to Lear ...
Pagina 97
... Lear gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into the only wisdom that is ultimately possible , or whether , although representing an extreme point ...
... Lear gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into the only wisdom that is ultimately possible , or whether , although representing an extreme point ...
Pagina 250
... Lear's madness to the action of his daughters — that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . " The real horror lies not in the fact that Goneril and Regan can cause the ...
... Lear's madness to the action of his daughters — that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . " The real horror lies not in the fact that Goneril and Regan can cause the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words