SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 90
... Lear feels , in short , is as important as what he feels , for the final ' seeing ' is inseparable from what he has come to be . For us , as readers or spectators , Lear's vision of life can only be apprehended in close conjunction with ...
... Lear feels , in short , is as important as what he feels , for the final ' seeing ' is inseparable from what he has come to be . For us , as readers or spectators , Lear's vision of life can only be apprehended in close conjunction with ...
Pagina 99
... Lear's mistaken choice and its hidden causes and results . In relation to these last indeed he shows an uncanny insight , pointing directly to Lear's infantile craving ' to make his daughters his mothers ' ( I. iv . 179-81 ) , and ...
... Lear's mistaken choice and its hidden causes and results . In relation to these last indeed he shows an uncanny insight , pointing directly to Lear's infantile craving ' to make his daughters his mothers ' ( I. iv . 179-81 ) , and ...
Pagina 103
... Lear's great indict- ment : only a refusal to meet honestly -- so far as we may- all that Shakespeare sets in relation to it could make us blind to the irony - yes ... Lear's agony this thought also has its place 103 ' KING LEAR '
... Lear's great indict- ment : only a refusal to meet honestly -- so far as we may- all that Shakespeare sets in relation to it could make us blind to the irony - yes ... Lear's agony this thought also has its place 103 ' KING LEAR '
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words