SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 95
the world as Lear and which has proved so woefully inadequate under stress , he is free to express attitudes ... What constitutes the torture - Lear's ' wheel of fire ' -is that each successive attitude , bearing the stamp of its utter ...
the world as Lear and which has proved so woefully inadequate under stress , he is free to express attitudes ... What constitutes the torture - Lear's ' wheel of fire ' -is that each successive attitude , bearing the stamp of its utter ...
Pagina 99
He looks towards Cordelia , pining when she is banished and slipping out of the play before her reappearance ; at the end there is some confusion in Lear's mind between the two ( v . iii . 305 ) [ 22 ] .
He looks towards Cordelia , pining when she is banished and slipping out of the play before her reappearance ; at the end there is some confusion in Lear's mind between the two ( v . iii . 305 ) [ 22 ] .
Pagina 103
This indeed is slippery ground for interpretation , but it is at least relevant to recall that in other plays of roughly the same period - notably perhaps in Timon of Athens , so close to Lear in its probing of certain moods of ...
This indeed is slippery ground for interpretation , but it is at least relevant to recall that in other plays of roughly the same period - notably perhaps in Timon of Athens , so close to Lear in its probing of certain moods of ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words