SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 74
L.C. KNIGHTS. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry " Who is it can who I am ? ' has indeed been answered , that is because Shakespeare has submitted himself to a process equivalent in the ...
L.C. KNIGHTS. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry " Who is it can who I am ? ' has indeed been answered , that is because Shakespeare has submitted himself to a process equivalent in the ...
Pagina 106
... LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ; And , to deal plainly , I fear I am not in my perfect mind . Methinks I should ... King Lear 106 SOME SHAKESPEAREAN THEMES.
... LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ; And , to deal plainly , I fear I am not in my perfect mind . Methinks I should ... King Lear 106 SOME SHAKESPEAREAN THEMES.
Pagina 249
... Lear's Fool by Miss Enid Welsford in The Fool : his Social and Literary History ( pp . 253 ff . ) offer some penetrating comments on the play as a whole . An essay by W. R. Keast , " The " New Criticism " and King Lear ' ( Critics and ...
... Lear's Fool by Miss Enid Welsford in The Fool : his Social and Literary History ( pp . 253 ff . ) offer some penetrating comments on the play as a whole . An essay by W. R. Keast , " The " New Criticism " and King Lear ' ( Critics and ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words