SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 73
... King Lear , offering us the very terms we have to use in giving ourselves an account of that play . Lear opens with an assertion of ' will ' . It is a will that ' dotes ' , so that its ... King Lear F , at the end of APPEARANCE AND REALITY.
... King Lear , offering us the very terms we have to use in giving ourselves an account of that play . Lear opens with an assertion of ' will ' . It is a will that ' dotes ' , so that its ... King Lear F , at the end of APPEARANCE AND REALITY.
Pagina 74
L.C. KNIGHTS. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry I and resounding question , " Who is it that can tell me who I am ? ' has indeed been answered , that is because Shakespeare has submitted ...
L.C. KNIGHTS. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry I and resounding question , " Who is it that can tell me who I am ? ' has indeed been answered , that is because Shakespeare has submitted ...
Pagina 106
... LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ; And , to deal plainly , I fear I am not in my perfect mind . Methinks I should ... King Lear 106 SOME SHAKESPEAREAN THEMES.
... LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ; And , to deal plainly , I fear I am not in my perfect mind . Methinks I should ... King Lear 106 SOME SHAKESPEAREAN THEMES.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words