SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 160
... Iago in the temptation scene . This is in essentials the point that Leavis makes so well in the essay to which I have referred . The speed with which Iago successfully develops his attack Leavis explains in terms of something self ...
... Iago in the temptation scene . This is in essentials the point that Leavis makes so well in the essay to which I have referred . The speed with which Iago successfully develops his attack Leavis explains in terms of something self ...
Pagina 161
... Iago - that Iago who is so much less than a fully drawn ' character ' whose motives we are invited to examine , and so much more than a mere ' necessary piece of dramatic mechanism ' . What we have to notice here is that Iago's mode of ...
... Iago - that Iago who is so much less than a fully drawn ' character ' whose motives we are invited to examine , and so much more than a mere ' necessary piece of dramatic mechanism ' . What we have to notice here is that Iago's mode of ...
Pagina 163
... Iago's ability to know : This honest creature doubtless Sees and knows more , much more , than he unfolds . This fellow's of exceeding honesty , And knows all qualities , with a learned spirit , Of human dealings . . . The question at ...
... Iago's ability to know : This honest creature doubtless Sees and knows more , much more , than he unfolds . This fellow's of exceeding honesty , And knows all qualities , with a learned spirit , Of human dealings . . . The question at ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words