SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 197
... Hamlet himself is ' a man caught in ethical and meta- physical uncertainties ' . Now I am sure that Mr. James is right in emphasizing the element of scepticism in Hamlet's make - up ... Hamlet's scepticism , 197 AN APPROACH TO ' HAMLET '
... Hamlet himself is ' a man caught in ethical and meta- physical uncertainties ' . Now I am sure that Mr. James is right in emphasizing the element of scepticism in Hamlet's make - up ... Hamlet's scepticism , 197 AN APPROACH TO ' HAMLET '
Pagina 199
... Hamlet's state as one phase in a develop- ment that is not peculiar to any one individual ; how- ever far Hamlet goes astray he starts from a point through which everyone - or almost everyone - must pass who is to rise above the ...
... Hamlet's state as one phase in a develop- ment that is not peculiar to any one individual ; how- ever far Hamlet goes astray he starts from a point through which everyone - or almost everyone - must pass who is to rise above the ...
Pagina 202
... Hamlet attributes to him . These are données of the case , and it need occasion no surprise when Hamlet declares that ' virtue cannot so inoculate our old stock but we shall relish of it ' . This ... Hamlet 202 AN APPROACH TO ' HAMLET '
... Hamlet attributes to him . These are données of the case , and it need occasion no surprise when Hamlet declares that ' virtue cannot so inoculate our old stock but we shall relish of it ' . This ... Hamlet 202 AN APPROACH TO ' HAMLET '
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words