SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 197
II Hamlet is a man who in the face of life and of death can make no affirmation , and it may well be that this irresolution - which goes far deeper than irresolution about the performance of a specific act — this fundamental doubt ...
II Hamlet is a man who in the face of life and of death can make no affirmation , and it may well be that this irresolution - which goes far deeper than irresolution about the performance of a specific act — this fundamental doubt ...
Pagina 202
These are données of the case , and it need occasion no surprise when Hamlet declares that ' virtue cannot so ... but Shakespeare is careful to show us that there is more than this involved in Hamlet's bitter judgment on himself .
These are données of the case , and it need occasion no surprise when Hamlet declares that ' virtue cannot so ... but Shakespeare is careful to show us that there is more than this involved in Hamlet's bitter judgment on himself .
Pagina 205
Never Hamlet ; If Hamlet from himself be ta'en away , And when he's not himself does wrong Laertes , Then Hamlet does it not ... His madness ; if't be so , Hamlet is of the faction that is wrong'd ; His madness is poor Hamlet's enemy .
Never Hamlet ; If Hamlet from himself be ta'en away , And when he's not himself does wrong Laertes , Then Hamlet does it not ... His madness ; if't be so , Hamlet is of the faction that is wrong'd ; His madness is poor Hamlet's enemy .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words