SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 59
... Greek camp , - ' Kingdom'd Achilles in commotion rages And batters down himself ' ( II . iii . 184-5 ) ; whatever the claims that the Greek generals may make for them- selves [ 4 ] the impression we get from their counsels is one of ...
... Greek camp , - ' Kingdom'd Achilles in commotion rages And batters down himself ' ( II . iii . 184-5 ) ; whatever the claims that the Greek generals may make for them- selves [ 4 ] the impression we get from their counsels is one of ...
Pagina 64
... Greek generals in the first act is the Trojan council in the second . The ques- tion is whether or not Helen shall be retained and the war continued . Of the two leading speakers , Hector appeals to reason and morality , the law of ...
... Greek generals in the first act is the Trojan council in the second . The ques- tion is whether or not Helen shall be retained and the war continued . Of the two leading speakers , Hector appeals to reason and morality , the law of ...
Pagina 67
... Greek intellect and Trojan intuition ; but he seems to me to attribute to the latter a more positive value than did Shakespeare . It is not merely that Time slays Troilus's love - ' a spiritual and delicate thing ' - the whole basis of ...
... Greek intellect and Trojan intuition ; but he seems to me to attribute to the latter a more positive value than did Shakespeare . It is not merely that Time slays Troilus's love - ' a spiritual and delicate thing ' - the whole basis of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words