SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 90
... Goneril he invokes Nature - Edmund's goddess -to enforce ' the untented woundings of a father's curse ' ( 1. iv . 284 ff . ) ; the ' Heavens ' are bidden to take his part ( II . iv . 163 ff . , 191 ff . ) : and when Goneril and Regan ...
... Goneril he invokes Nature - Edmund's goddess -to enforce ' the untented woundings of a father's curse ' ( 1. iv . 284 ff . ) ; the ' Heavens ' are bidden to take his part ( II . iv . 163 ff . , 191 ff . ) : and when Goneril and Regan ...
Pagina 107
... Goneril and Regan , the way is apparently cleared for an ending far different from that represented by the stark stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that ...
... Goneril and Regan , the way is apparently cleared for an ending far different from that represented by the stark stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that ...
Pagina 250
... Goneril's heart his wits begin to turn ' . ' The real horror lies not in the fact that Goneril and Regan can cause the death of their father , but that they can apparently destroy his human integrity ' ( The Fool , pp . 261-2 ) . As ...
... Goneril's heart his wits begin to turn ' . ' The real horror lies not in the fact that Goneril and Regan can cause the death of their father , but that they can apparently destroy his human integrity ' ( The Fool , pp . 261-2 ) . As ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words