SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 97
... Gloucester , the Fool , Kent , and some others . Both Gloucester and the Fool powerfully affect our sense of the central experience embodied in Lear , but they belong to two quite different aspects of Shakespeare's wide- embracing ...
... Gloucester , the Fool , Kent , and some others . Both Gloucester and the Fool powerfully affect our sense of the central experience embodied in Lear , but they belong to two quite different aspects of Shakespeare's wide- embracing ...
Pagina 98
... Gloucester that so guarantees the validity of the qualities with which he is endowed . Gloucester learns to suffer , to feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ...
... Gloucester that so guarantees the validity of the qualities with which he is endowed . Gloucester learns to suffer , to feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ...
Pagina 100
... Gloucester stand in a peculiarly close relation to Lear , but whereas the Fool is inseparable from him , Gloucester also connects with a wider world- a world existing independently of Lear's own conscious- ness ( the alternation of ...
... Gloucester stand in a peculiarly close relation to Lear , but whereas the Fool is inseparable from him , Gloucester also connects with a wider world- a world existing independently of Lear's own conscious- ness ( the alternation of ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words