SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 181
... ghost . It is of course important not to rewrite Shakespeare's plays for him but to follow his lead as closely as we may . But the emphasis here is indeed Shakespeare's . As C. S. Lewis says , " The Hamlet formula , so to speak , is not ...
... ghost . It is of course important not to rewrite Shakespeare's plays for him but to follow his lead as closely as we may . But the emphasis here is indeed Shakespeare's . As C. S. Lewis says , " The Hamlet formula , so to speak , is not ...
Pagina 189
... Ghost is tempting Hamlet to gaze with fascinated horror at an abyss of evil . Now the evil is real enough : that also has been established in Act I , and there is certainly nothing unnatural in the violence of Hamlet's recoil from it' O ...
... Ghost is tempting Hamlet to gaze with fascinated horror at an abyss of evil . Now the evil is real enough : that also has been established in Act I , and there is certainly nothing unnatural in the violence of Hamlet's recoil from it' O ...
Pagina 193
... Ghost . When Hamlet swears to ' remember ' - with such ominous repetition of the word - he commits himself to a passion that has all the exclusiveness of an infatuation . Remember thee ? Ay , thou poor ghost , while memory holds a seat ...
... Ghost . When Hamlet swears to ' remember ' - with such ominous repetition of the word - he commits himself to a passion that has all the exclusiveness of an infatuation . Remember thee ? Ay , thou poor ghost , while memory holds a seat ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words