SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 99
Miss Welsford , in the penetrating account she gives of him in her book , The Fool , places him firmly in the tradition of ' the sage - fool who sees the truth ' ( ' his rôle ' , she adds , ' has even more intellectual than emotional ...
Miss Welsford , in the penetrating account she gives of him in her book , The Fool , places him firmly in the tradition of ' the sage - fool who sees the truth ' ( ' his rôle ' , she adds , ' has even more intellectual than emotional ...
Pagina 100
It is through him , therefore , that we come to see more clearly the sharp distinction between those whose wisdom is purely for themselves and those foolish ones - Kent , Gloucester , Cordelia , and the Fool himself - who recklessly ...
It is through him , therefore , that we come to see more clearly the sharp distinction between those whose wisdom is purely for themselves and those foolish ones - Kent , Gloucester , Cordelia , and the Fool himself - who recklessly ...
Pagina 250
The real horror lies not in the fact that Goneril and Regan can cause the death of their father , but that they can apparently destroy his human integrity ' ( The Fool , pp . 261-2 ) . As both Heilman and Danby have insisted , Regan and ...
The real horror lies not in the fact that Goneril and Regan can cause the death of their father , but that they can apparently destroy his human integrity ' ( The Fool , pp . 261-2 ) . As both Heilman and Danby have insisted , Regan and ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words