SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 34
L.C. KNIGHTS. Shakespeare's philosophy , to be sure , is not Falstaff's . Falstaff too is presented critically , as ' riot and dishonour ' , and even in Part I there is enough to prevent us from taking him ( as we take the Bastard ) for ...
L.C. KNIGHTS. Shakespeare's philosophy , to be sure , is not Falstaff's . Falstaff too is presented critically , as ' riot and dishonour ' , and even in Part I there is enough to prevent us from taking him ( as we take the Bastard ) for ...
Pagina 43
... Falstaff who seems , at first perplexingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had appeared more ...
... Falstaff who seems , at first perplexingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had appeared more ...
Pagina 48
... Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she cannot choose but be old ; certain she's old ; and had Robin Nightwork by old Nightwork before I came to Clement's Inn . SILENCE ...
... Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she cannot choose but be old ; certain she's old ; and had Robin Nightwork by old Nightwork before I came to Clement's Inn . SILENCE ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words