SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged - or at least allowed for - an active concentration ...
... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged - or at least allowed for - an active concentration ...
Pagina 12
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
Pagina 13
... Elizabethan dramatist . We return therefore to what I have already said about the poetry of the greater plays and the kind of activity that it calls for if we are to meet it fully . The reader knows that what he has to deal with is not ...
... Elizabethan dramatist . We return therefore to what I have already said about the poetry of the greater plays and the kind of activity that it calls for if we are to meet it fully . The reader knows that what he has to deal with is not ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words