SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 3
... of Shakespeare's relation to his work , of the kind of thing he was trying to do as an artist whilst simultaneously satisfying the demands of the Elizabethan theatre - this conception has undergone a revolutionary change .
... of Shakespeare's relation to his work , of the kind of thing he was trying to do as an artist whilst simultaneously satisfying the demands of the Elizabethan theatre - this conception has undergone a revolutionary change .
Pagina 10
Findings of the last thirty years or so concerning the Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote ...
Findings of the last thirty years or so concerning the Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote ...
Pagina 12
No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circumstances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circumstances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words