SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged — or at least allowed for - an active concentration ...
... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged — or at least allowed for - an active concentration ...
Pagina 12
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
Pagina 257
... description of the imagin- ative effect of the passage from the play next quoted in my text is given by Mr L. G. Salingar in his essay on ' The Elizabethan Literary Renaissance ' , in the Pelican Guide to English Literature 257 NOTES.
... description of the imagin- ative effect of the passage from the play next quoted in my text is given by Mr L. G. Salingar in his essay on ' The Elizabethan Literary Renaissance ' , in the Pelican Guide to English Literature 257 NOTES.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words