SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 105
... CORDELIA . He wakes ; speak to him . DOCTOR . Madam , do you ; ' tis fittest . CORDELIA . How does my royal Lord ? How fares your Majesty ? LEAR . You do me wrong to take me out o ' th ' grave ; Thou art a soul in bliss ; but I am bound ...
... CORDELIA . He wakes ; speak to him . DOCTOR . Madam , do you ; ' tis fittest . CORDELIA . How does my royal Lord ? How fares your Majesty ? LEAR . You do me wrong to take me out o ' th ' grave ; Thou art a soul in bliss ; but I am bound ...
Pagina 106
... Cordelia . And so I am , I am . CORDELIA . LEAR . Be your tears wet ? Yes , faith . I pray , weep not ; If you have poison for me , I will drink it . I know you do not love me ; for your sisters Have , as I do remember , done me wrong ...
... Cordelia . And so I am , I am . CORDELIA . LEAR . Be your tears wet ? Yes , faith . I pray , weep not ; If you have poison for me , I will drink it . I know you do not love me ; for your sisters Have , as I do remember , done me wrong ...
Pagina 252
... Cordelia's reappearance . 22. Professor Kenneth Muir , in a note on this line in the Arden edition , quotes W. Perrett - When Cordelia is away her place as the representative of utter truthfulness is taken by the Fool ' . 23. References ...
... Cordelia's reappearance . 22. Professor Kenneth Muir , in a note on this line in the Arden edition , quotes W. Perrett - When Cordelia is away her place as the representative of utter truthfulness is taken by the Fool ' . 23. References ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words