SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 137
... Antony's feelings : the very look of him is given us by Enobarbus- ' Now he'll outstare the lightning ' ( III . xiii . 195 ) . Antony , in short , is galvanized into feeling ; there is no true access of life and energy . And the ...
... Antony's feelings : the very look of him is given us by Enobarbus- ' Now he'll outstare the lightning ' ( III . xiii . 195 ) . Antony , in short , is galvanized into feeling ; there is no true access of life and energy . And the ...
Pagina 139
... Antony were nature's piece ' gainst fancy , Condemning shadows quite . ( v . ii . 86-100 ) The figure that Cleopatra evokes may not be fancy - the poetry invests it with a substantial rea ity ; but it is not the Antony that the play has ...
... Antony were nature's piece ' gainst fancy , Condemning shadows quite . ( v . ii . 86-100 ) The figure that Cleopatra evokes may not be fancy - the poetry invests it with a substantial rea ity ; but it is not the Antony that the play has ...
Pagina 257
... Antony's admirable qualities , especially his ability to make friends with the men he commands and his generosity . But it is in this very respect also that Shakespeare shows himself so far from ' blind ' . When Antony reproaches ' the ...
... Antony's admirable qualities , especially his ability to make friends with the men he commands and his generosity . But it is in this very respect also that Shakespeare shows himself so far from ' blind ' . When Antony reproaches ' the ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words