Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642CUP Archive, 13 oct. 1994 - 185 pagini In 1597 anti-theatricalist Stephen Gosson made the curious remark that theatre 'effeminized' the mind. Four years later Phillip Stubbes claimed that male actors who wore women's clothing could literally 'adulterate' male gender and fifty years after this in a tract which may have hastened the closing of the theatres, William Prynne described a man whom women's clothing had literally caused to 'degenerate' into a women. How can we account for such fears of effeminization and what did Renaissance playwrights do with such a legacy? Laura Levine examines the ways in which Shakespeare, Marlowe and Jonson addressed a generation's anxieties about gender and the stage and identifies the way the same 'magical thinking' informed documents we much more readily associate with extreme forms of cultural paranoia: documents dedicated to the extermination of witches. |
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Cuprins
Troilus and Cressida and the politics of rage | 6 |
Antony and Cleopatra and the story of | 44 |
Jonsons Epicoene | 77 |
Jonsons | 89 |
Daemonologie and | 108 |
the case | 120 |
Notes | 137 |
174 | |
181 | |
Alte ediții - Afișează-le pe toate
Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642 Laura Levine Nu există previzualizare disponibilă - 1994 |
Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642 Laura Levine Nu există previzualizare disponibilă - 1994 |
Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642 Laura Levine Nu există previzualizare disponibilă - 1994 |
Termeni și expresii frecvente
Abuse action actor actually anti-theatrical tracts anti-theatricalists anti-theatricality Antony Antony's anxieties appetite argues argument attack attempt become begins belief body Caesar calls capacity claim Cleopatra clothing constitutive contain costume Cressida critics death defense desire devil's doubt effect effeminization Epicoene essential exist fact Fair fantasy fear female gender Gosson heart Hero homosexual idea identity imagine implies inherent instance Jonson kind king knowledge leads Leander literally logic longing look magic male mark masculinity masque means merely moment nature notion offers passage performance person play political position possible presents Press puppet question rage Renaissance represent representation says scene seems sense sexual Shakespeare signs specifically spectator stage Stephen story suggests sword tells theatre theatrical thing tracts Troilus turn Ulysses University violence vision walls witches woman women