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GLO. Naught to do with mistress Shore? I tell thee, fellow,

He that doth naught with her, excepting one,
Were best to do it secretly, alone *.

BRAK. What one, my lord?

GLO. Her husband, knave :-Would'st thou betray me?

BRAK. I beseech your grace to pardon me; and, withal,

Forbear your conference with the noble duke. CLAR. We know thy charge, Brakenbury, and will obey.

GLO. We are the queen's abjects, and must obey.

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alone.] Surely the adjective-alone, is an interpolation, as what the Duke is talking of, is seldom undertaken before witnesses. Besides, this word deranges the metre, which, without it, would be regular :-for instance:

"Were best to do it secretly.

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My lord?

"What one,

"Her husband, knave :-Would'st thou betray me? STEEVENS.

The above note is a good specimen of Mr. Steevens's readiness to suppose an interpolation in the ancient copies, whenever he chose to disturb the text. He does not seem ever to have perceived that many short prosaical sentences are frequently interposed in our poet's metrical dialogues. Of this kind are the words "What one, my lord?"—and the following line: "Her husband, knave," &c. MALONE.

These four speeches were probably all designed for prose. What verse can be made out of this line:

"We know thy charge, Brakenbury, and will obey?" Brakenbury's speech, "What one, my lord?" and Gloster's answer, are omitted in quarto 1597. BOSWELL.

5 the queen's ABJECTS,] That is, not the queen's subjects, whom she might protect, but her abjects, whom she drives away. JOHNSON. So, in The Case is Alter'd. How? Ask Dalio and Milo, 1604 : "This ougly object, or rather abject of nature."

HENDERSON.

I cannot approve of Johnson's explanation. Gloster forms a substantive from the adjective abject, and uses it to express a lower

Brother, farewell: I will unto the king;
And whatsoever you will employ me in,—
Were it, to call king Edward's widow-sister 6,-
I will perform it to enfranchise you.

Mean time, this deep disgrace in brotherhood,
Touches me deeper than you can imagine.

CLAR. I know it pleaseth neither of us well.
GLO. Well, your imprisonment shall not be long;

degree of submission than is implied by the word subject, which otherwise he would naturally have made use of. The Queen's abjects, means the most servile of her subjects, who must of course obey all her commands; which would not be the case of those whom she had driven away from her.

In a preceding page Gloster had said of Shore's wife-
I think, it is our way,

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"If we will keep in favour with the king,

"To be her men, and wear her livery."

The idea is the same in both places, though the expression differs. In Jonson's Every Man out of his Humour, Puntarvolo says to Swift:

"I'll make thee stoop, thou abject." M. MASON.

This substantive was not of Shakspeare's formation. We meet with it in Psalm xxxv. 15: "-yea, the very abjects came together against me unawares, making mouths at me, and ceased not." Again, in Chapman's translation of the 21st book of Homer's Odyssey:

"Whither? rogue! abject! wilt thou bear from us
"That bow propos'd?'

Again, in the same author's version of Homer's Hymn to Venus: "That thou wilt never let me live to be

"An abject, after so divine degree
"Taken in fortune-." STEEVENS.

6 Were it, to call king Edward's widow-sister,] This is a very covert and subtle manner of insinuating treason. The natural expression would have been, "were it to call king Edward's wife,— sister." I will solicit for you, though it should be at the expence, of so much degradation and constraint, as to own the low-born wife of King Edward for a sister. But by slipping, as it were casually, widow, into the place of wife, he tempts Clarence with an oblique proposal to kill the King. JOHNSON.

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King Edward's widow" is, I believe, only an expression of contempt, meaning the "widow Grey," whom Edward had chosen for his queen. Gloster has already called her, "the jealous o'erworn widow." STEEVENS.

I will deliver you, or else lie for you7:
Mean time, have patience.

CLAR.

I must perforce; farewell. [Exeunt CLAREnce, Brakenbury, and Guard.

GLO. Go, tread the path that thou shalt ne'er return,

Simple, plain Clarence!-I do love thee so,
That I will shortly send thy soul to heaven,
If heaven will take the present at our hands.
But who comes here? the new-deliver'd Hastings?

Enter HASTINGS.

HAST. Good time of day unto my gracious lord! GLO. As much unto my good lord chamberlain! Well are you welcome to this open air.

How hath your lordship brook'd imprisonment ? HAST. With patience, noble lord, as prisoners

must:

But I shall live, my lord, to give them thanks,
That were the cause of my imprisonment.

GLO. No doubt, no doubt; and so shall Clarence

too:

For they that were your enemies, are his,

And have prevail'd as much on him, as you.
HAST. More pity, that the eagle should be
mew'd 9,

While kites and buzzards prey at liberty.
GLO. What news abroad?

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LIE for you:] He means, to be imprisoned in your stead To lie was anciently to reside, as appears by many instances in these volumes. REED.

8 I must perforce ;] Alluding to the proverb, "Patience perforce, is a medicine for a mad dog.' STEEVENS.

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9-should be MEW'D,] A mew was the place of confinement where a hawk was kept till he had moulted. So, in Albumazar: "Stand forth, transform'd Antonio, fully mew'd "From brown soar feathers of dull yeomanry, To the glorious bloom of gentry." STEEVENS.

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HAST. No news so bad abroad, as this at home The king is sickly, weak, and melancholy,

And his physicians fear him mightily.

GLO. Now, by Saint Paul, this news is bad indeed.

O, he hath kept an evil diet1 long,

And over-much consum'd his royal person; "Tis very grievous to be thought upon. What, is he in his bed?

HAST. He is 2.

GLO. Go you before, and I will follow you.

[Exit HASTINGS. He cannot live, I hope; and must not die,

Till George be pack'd with posthorse up to heaven.
I'll in, to urge his hatred more to Clarence,
With lies well steel'd with weighty arguments;
And, if I fail not in my deep intent,

Clarence hath not another day to live:

Which done, God take king Edward to his mercy,
And leave the world for me to bustle in!

For then I'll marry Warwick's youngest daughter3:
What though I kill'd her husband, and her father?
The readiest way to make the wench amends,
Is-to become her husband, and her father:
The which will I; not all so much for love,
As for another secret close intent,

By marrying her, which I must reach unto.
But yet I run before my horse to market:
Clarence still breathes; Edward still lives and reigns;
When they are gone, then must I count my gains.

9 Now, by Saint PAUL,] The folio reads:

1

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an evil diet-] i. e. a bad regimen. STEEVENS.

Exit.

2 He is.] Sir Thomas Hanmer very properly completes this broken verse, by reading

3

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He is, my lord."

STEEVENS.

Warwick's YOUNGEST daughter:] Lady Anne, the Widow of Edward Prince of Wales. See Henry VI. Part III. vol. xviii. p. 478, n. 4. MALONE.

SCENE II.

The Same. Another Street.

Enter the Corpse of King HENRY the Sixth, borne in an open Coffin, Gentlemen bearing Halberds, to guard it; and Lady ANNE as mourner.

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4

-

ANNE. Set down, set down your honourable load,-
If honour may be shrouded in a hearse,—
Whilst I a while obsequiously lament *
The untimely fall of virtuous Lancaster.-
Poor key-cold figure of a holy king!
Pale ashes of the house of Lancaster!
Thou bloodless remnant of that royal blood!
Be it lawful that I invocate thy ghost,
To hear the lamentations of poor Anne,
Wife to thy Edward, to thy slaughter'd son,
Stabb'd by the self-same hand that made these
wounds *!

Lo, in these windows, that let forth thy life,
I pour the helpless balm of my poor eyes :-
O, cursed be the hand that made these holes!
Cursed the heart, that had the heart to do it!

* Quarto 1597, holes.

† Quarto 1597:

"Curst be the hand that made these fatal holes,
"Curst be the heart," &c.

OBSEQUIOUSLY lament -] Obsequious, in this instance, means funereal. So, in Hamlet, Act I. Sc. II.:

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"To do obsequious sorrow."

STEEVENS.

key-cold-] A key, on account of the coldness of the metal of which it is composed, was anciently employed to stop any slight bleeding. The epithet is common to many old writers; among the rest, it is used by Decker in his Satiromastix, 1602: It is best you hide your head, for fear your wise brains take key-cold."

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Again, in The Country Girl, by T. B. 1647:

"The key-cold figure of a man." Again, in our author's Rape of Lucrece :

STEEVENS.

"And then in key-cold Lucrece' bleeding stream

"He falls

MALONE.

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