Techniques and Materials of Tonal Music: With an Introduction to Twentieth-century TechniquesHoughton Mifflin Company, 1975 - 236 pagini |
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Pagina 36
... nonharmonic tones : the following are two common types of nonharmonic tones ; other types will be introduced in subsequent units ( see Part V , Unit 2 , for descriptions ) . A. Passing tone ( p.t. ) C : I p.t. * This exceptional ...
... nonharmonic tones : the following are two common types of nonharmonic tones ; other types will be introduced in subsequent units ( see Part V , Unit 2 , for descriptions ) . A. Passing tone ( p.t. ) C : I p.t. * This exceptional ...
Pagina 78
... non- harmonic tones those nonharmonic tones will generally be consonant with each other and a linear chord will result : p.t. aux . p.t. C : ii6 II . Any chord may be functional or linear , depending on the context . Chords that lack a ...
... non- harmonic tones those nonharmonic tones will generally be consonant with each other and a linear chord will result : p.t. aux . p.t. C : ii6 II . Any chord may be functional or linear , depending on the context . Chords that lack a ...
Pagina 209
... nonharmonic tones . Use of simple weak passsing tones and auxiliaries results in a harmonically straightforward , " masculine " line . Sonatina for Violin and Piano , op . 137 , no . 1 Andante p.t. Schubert aux . e.t. Melodies using a ...
... nonharmonic tones . Use of simple weak passsing tones and auxiliaries results in a harmonically straightforward , " masculine " line . Sonatina for Violin and Piano , op . 137 , no . 1 Andante p.t. Schubert aux . e.t. Melodies using a ...
Cuprins
Triads in Root Position | 29 |
Connection of Tonic and Dominant Triads | 35 |
The Dominant Seventh Chord in Root | 41 |
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Techniques and Materials of Tonal Music: With an Introduction to Twentieth ... Thomas Benjamin,Michael M. Horvit,Robert Nelson Nu există previzualizare disponibilă - 1986 |
Termeni și expresii frecvente
Allegretto Allegro Analyze completely Analyze music assigned Andante appoggiatura asterisk augmented sixth chords available in class bass line beat Bring further examples cadential Checklist for Analysis chromatic common chord Complete the following Compose composition or improvisation diatonic diminished seventh chords dissonant dominant seventh chord eighth notes employing Exercises fifth figured basses following figured basses following melodies following patterns German chord half step harmonic rhythm Harmonize the following instructor instruments interval relationships inversion key signatures keyboard leading tone linear chords literature into class major triad minor seventh Moderato modulation motive ninth nonharmonic tones note value octave outer voices Persichetti phrase pitch polychords reading see bibliography Realize the following Refer resolution resolves rhythmic roman numerals root position scale scale-degree secondary dominant sixteenth notes sixth chords soprano structure supertonic susp texture tonic triads in root Unit 17 upper voices V₂ voice leading