Shakespeare Without TearsWorld Publishing Company, 1955 - 318 pagini Chapters on general principles of Shakespeare production, notes on Elizabethan stages and actors, and comments on the problems of individual plays. |
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Pagina 15
... Shake- speare . This new card will have no place under " Bacon , Sir Francis , " nor under " Oxford , 17th Earl of . " Fashions in Shake- spearean pretenders change , and , at the time when all play- wrights and historical novelists ...
... Shake- speare . This new card will have no place under " Bacon , Sir Francis , " nor under " Oxford , 17th Earl of . " Fashions in Shake- spearean pretenders change , and , at the time when all play- wrights and historical novelists ...
Pagina 76
... Shake- speare from the imprisonment of realism . Through the im- aginative and dramatic use of lighting we can retain an element of visual beauty against even the simplest of back- grounds . Although Shakespeare himself knew nothing of ...
... Shake- speare from the imprisonment of realism . Through the im- aginative and dramatic use of lighting we can retain an element of visual beauty against even the simplest of back- grounds . Although Shakespeare himself knew nothing of ...
Pagina 201
... Shake- speare's boys had an easier task in the matter of disguise , the modern actress has a chance to achieve a modulation which can be immeasurably valuable . Like Beatrice , Rosalind demands great swiftness ; there is also ...
... Shake- speare's boys had an easier task in the matter of disguise , the modern actress has a chance to achieve a modulation which can be immeasurably valuable . Like Beatrice , Rosalind demands great swiftness ; there is also ...
Cuprins
Introduction BY JOHN MASON BROWN | 7 |
FIRST PERSON SINGULAR | 15 |
INTRODUCING AN ENGLISHMAN | 31 |
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accept acting action actors actress Antony audience Beatrice Burbage Capulet characters Cleopatra clowns comedy Coriolanus CRESSIDA critics CYMBELINE death director dramatic dramatist E. K. Chambers ears Elizabethan emotion English eyes Falstaff fear feel Folio text follow fool give Globe Hamlet hand hath heart HENRY HENRY VI heroines Hotspur human Iago imagination interpretation KING LEAR Lady Macbeth lines living Lord Maurice Evans mind Miss Webster modern ness never night Old Vic Othello passion performance perhaps PERICLES phrase play's players plot printed problems production prompt copy prompter Quarto Queen Richard RICHARD II ROMEO AND JULIET scholars script seems sense Shake Shakespeare Shylock soliloquy speak speare speare's speech spirit stage directions stars sweet TEMPEST theater theatrical things thou thought TIMON tion tragedy TROILUS TROILUS AND CRESSIDA TWELFTH NIGHT verse words writing written wrote