OTHELLO, THE MOOR OF LITERARY AND HISTORICAL NOTICE. THE story upon which this beautiful and instructive tragedy is founded, was taken, according to Mr. Pope, from Cynthio's novels. It was probably written in the year 1611. Mustapha, Selymus's general, invaded Cyprus in May 1570, and conquered it in the following year. His fleet first sailed towards that island; but immediately changing its course for Rhodes, formed a junction with another squadron, and then returned to the attack of Cyprus thus the actual historical periods of the performance are satisfactorily determined. In addition to the admirable lesson set forth in this impressive tragedy, so well calculated to produce an excellent effect upon the human mind, by pourtraying that baneful passion, which, when once indulged, is the inevitable destroyer of conjugal happiness; it may justly be considered as one of the noblest efforts of dramatic genius, that has appeared in any age, or in any language. "The fiery openness of Othello, (says Dr. Johnson) magnanimous, artless, and credulous; boundless in his confidence, ardent in his affection, inflexible in his resolution, and obdurate in his revenge---the soft simplicity of Desdemona, confident of merit, and conscious of innocence; her artless perseverance in her suit, and her slowness to suspect that she can be suspected---the cool malignity of lago, silent in his resentment, subtle in his designs, and studious at once of his interest and his vengeance---are such proofs of Shakspeare's skill in human nature, as I suppose it is in vain to seek in any modern writer; whilst even the inferior characters would be very conspicuous in any other piece, not only for their justness, but their strength." In proportion to the enormity of such a crime as adultery, should be the caution with which a suspicion of it is permitted to be entertained; and our great dramatic moralist was ro doubt desirous of enforcing this maxim, when he made it, as he has done, the subject of no less than four of his most finished productions. vernment of Cyprus. CLOWN, Servant to Othello. DESDEMONA, Daughter to Brabantio, and EMILIA, Wife to lago. BIANCA, a Courtezan, Mistress to Cassio. MONTANO, Othello's predecessor in the Go- Officers, Gentlemen, Messengers, Musicans, Sailors, Attendants, &c. SCENE, for the first Act, in Venice; during the rest of the Play, at a Sea-port in Cyprus. ACT I. SCENE I-Venice.-A Street. Enter RODERIGO and IAGO. Rod. Tush, never tell me, I take it much un- That thou, lago,-who hast had my purse, Iago. 'Sblood, but you will not hear me :- Rod. Thon told'st me, thon didst hold him in lago. Despise me, if I do not. Three great In personal suit to make me his lieutenant, My mediators; for, certes, says he, Forsooth, a great arithmetician, A fellow almost damn'd in a fair wife; + Wherein the toged consuls can propose By debitor and creditor; this counter-caster, II And I, (God bless the mark!) his Moorship's an cient. yourself, Whether I in any just term am affin'd Rod. I would not follow him then. Iago. O Sir, content you; I follow him to serve my turn upon him: Whip me such honest knaves: Others there are, Do themselves homage: these fellows have some *And such a one do I profess myself. For, Sir, It is as sure as you are Roderigo, Were I the Moor, I would not be lago: Jago. Call up her father, [owe + Rouse him; make after hini, poison his delight, And, though he in a fertile climate dwell, Rod. Here is her father's house: I'll call aloud. Jago. Do; with like timorous accent, and dire As when, by night and negligence, the fire Rod. What, ho! Brabantio! signior Braban- Iago. Awake! what, ho! Brabantio! thieves thieves! thieves ! [bags! Look to your house, your daughter, and your Thieves! thieves ! BRABANTIO, above, at a Window. Rod. Siguior, is all your family within ? s tupping your white ewe. Arise, arise; Bra, What, have you lost your wits? Bra. Not 1; What are you? Rod. My name is-Roderigo. "doors; I have charg'd thee, not to haunt about my Being full of supper and distempering draughts Rod. Sir, Sir, Sir, Sir,- Bra. But thou must needs be sure, My spirit and my place have in them power Rod. Patience, good Sir. Bra. What tell'st thou me of robbing? this is Venice; My house is not a grange. ⚫ Rod. Most grave Brabantio, In simple and pure soul I come to you. will not serve God, if the devil bid you. Be- Bra. What profane wretch art thou? your daughter and the Moor are now making the lago. I am one, Sir, that comes to tell you beast with two backs. Bra. Thou art a villain. Jago. You are--a senator. Bra. This thou shalt answer: I know thee Rod. Sir, I will answer any thing. But I be- I't be your pleasure, and most wise consent, I say again, hath made a gross revolt; Give me a taper ;-call up all my people :- [Exit from above. I must show out a flag and sign of love, Lead to the Sagittary the rais'd search; [Exit. Nephews, here means grand Enter below, BRABANTIO, and Servants with Bra. It is too true an evil: gone she is: He didst thou know 'twas she? O thou de- Past thought!-What said she to you ?-Get more tapers; son of the blood! Fathers, from hence trust not your daughters' minds By what you see them act.-Are there not charms Rod. Yes, Sir; I have indeed. Bra. Call up my brother.-O that you had Some one way, some another.-Do you know Bra. Pray you, lead on. At every house I'll I may command at most :-Get weapons, ho! SCENE II.-The same.-Another Street. Yet do I hold it very stuff o'the conscience, ribs. Oth. 'Tis better as it is. lago. Nay, but he prated, And spoke such scurvy and provoking terms That, with the little godliness I have, I did full hard forbear him. But, I pray, Sir, Oth. Let him do his spite: My services, which I have done the signiory, 'Tis yet to I would not my unhoused free condition tenant. The goodness of the night upon you, friends! Cas. The duke does greet you, general; Oth. What is the matter, think you? Cas. Something from Cyprus, as I may divine; call'd for; When, being not at your lodging to be found, Oth. 'Tis well I am found by you. I wil but spend a word here in the house. [Exit. Cas. Ancient, what makes me here? carack, + If it prove lawful prize, he's made for ever. Cus. To who? Re-enter OTHELLO. Jago. Marry, to-Come, captain, will you go! Cas. Here comes another troop to seek for you. Oth. Holla! stand there ! [They draw on both sides. Iago. You, Roderigo! come, Sir, I am for you, Oth. Keep up your bright swords, for the dew will rust them. [years, Good signior, you shall more command with Bra. O thou foul thief, where hast thou stow'd my daughter? Damn'd as thou art, thon hast enchanted her: 'Tis probable, and palpable to thinking. Oth. Hold your hands, Both you of my inclining, and the rest: For the sea's worth. But, look! what lights come Were it my cue to fight, I should have known it yonder ? |