Shakespeare's Metrical ArtUniversity of California Press, 2 aug. 1988 - 363 pagini This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Pagina vii
... Sonnets 75 6 The Verse of Shakespeare's Theater 91 7 Prose and Other Diversions 108 8 Short and Shared Lines 116 9 Long Lines 143 10 Shakespeare's Syllabic Ambiguity : More Than Meets the Ear 149 11 Lines with Extra Syllables 160 12 ...
... Sonnets 75 6 The Verse of Shakespeare's Theater 91 7 Prose and Other Diversions 108 8 Short and Shared Lines 116 9 Long Lines 143 10 Shakespeare's Syllabic Ambiguity : More Than Meets the Ear 149 11 Lines with Extra Syllables 160 12 ...
Pagina xiii
... Sonnets , I have usually followed Booth's edition , except when the original punctuation has seemed to offer a metri- cal hint . In the same way , I have used The Riverside Shakespeare as the principal source of quotations ( and of all ...
... Sonnets , I have usually followed Booth's edition , except when the original punctuation has seemed to offer a metri- cal hint . In the same way , I have used The Riverside Shakespeare as the principal source of quotations ( and of all ...
Pagina 8
... sonnet includes three feet that appear to violate the expected iambic pattern : a trochee in the first foot , a ... sonnets in the sequence ) and later ones in this poem adhere more unambiguously to the iambic design , so that our ...
... sonnet includes three feet that appear to violate the expected iambic pattern : a trochee in the first foot , a ... sonnets in the sequence ) and later ones in this poem adhere more unambiguously to the iambic design , so that our ...
Pagina 17
... Spenser , Shakespeare in his sonnets , Jonson , and others have sometimes struggled to achieve those harmonies later readers have justly admired . Probably any great meter or poet must develop in this 17 The Iambic Pentameter Line.
... Spenser , Shakespeare in his sonnets , Jonson , and others have sometimes struggled to achieve those harmonies later readers have justly admired . Probably any great meter or poet must develop in this 17 The Iambic Pentameter Line.
Pagina 18
... sonnets of the early 1580s ( not known to most of his contemporaries till 1591 ) and in poems and plays written mainly from 1590 to 1610 , these writers explored the harmonies and dissonances of the new meter . They did so without ...
... sonnets of the early 1580s ( not known to most of his contemporaries till 1591 ) and in poems and plays written mainly from 1590 to 1610 , these writers explored the harmonies and dissonances of the new meter . They did so without ...
Cuprins
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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Termeni și expresii frecvente
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt