Shakespeare's Metrical ArtUniversity of California Press, 2 aug. 1988 - 363 pagini This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Pagina 5
... require most of its lines to break their phrasing somewhere , it also resists the tendency to divide in half . In fact , it cannot do so . A midline pause , wherever it ap- pears , leaves two stressed syllables on one side and three on ...
... require most of its lines to break their phrasing somewhere , it also resists the tendency to divide in half . In fact , it cannot do so . A midline pause , wherever it ap- pears , leaves two stressed syllables on one side and three on ...
Pagina 7
... requiring continuous negotiation of the stress - values of syllables . Even if , as we said earlier , English syllables mainly alternate between two general levels of stress , as they appear in English words and phrases 7 The Iambic ...
... requiring continuous negotiation of the stress - values of syllables . Even if , as we said earlier , English syllables mainly alternate between two general levels of stress , as they appear in English words and phrases 7 The Iambic ...
Pagina 14
... which he observes the metrical require- ments and the urgency of a passion that speaks as if it wanted to knock down all such irritating barriers . For , despite critics ' interest in isolating and defining 14 Shakespeare's Metrical Art.
... which he observes the metrical require- ments and the urgency of a passion that speaks as if it wanted to knock down all such irritating barriers . For , despite critics ' interest in isolating and defining 14 Shakespeare's Metrical Art.
Pagina 50
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Ți-ai atins limita de vizualizări pentru această carte.
Pagina 57
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Cuprins
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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Termeni și expresii frecvente
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt