Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Volumul 10University Press of Kentucky, 1981 - 150 pagini In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Pagina 43
... hierophany . The hierophany is the ultimate nonhuman experience which makes all else possible , and which enables the characters to go beyond tragedy . This twofold process may be seen in the linguistic design of Act V , which moves ...
... hierophany . The hierophany is the ultimate nonhuman experience which makes all else possible , and which enables the characters to go beyond tragedy . This twofold process may be seen in the linguistic design of Act V , which moves ...
Pagina 96
... hierophany of the romances , where some sacred presence externally manifests itself through an oracle , a dream , or a vision , The Tempest becomes its own hierophany . That is , the art , performance , and experience of the play become ...
... hierophany of the romances , where some sacred presence externally manifests itself through an oracle , a dream , or a vision , The Tempest becomes its own hierophany . That is , the art , performance , and experience of the play become ...
Pagina 138
... hierophany- " Thou speakest wonders " ( 55 ) , " This oracle of comfort has so pleas'd me / That when I am in heaven ... hierophany is that unlike those in the prior romances this hierophany is overtly supported by a religious doctrine ...
... hierophany- " Thou speakest wonders " ( 55 ) , " This oracle of comfort has so pleas'd me / That when I am in heaven ... hierophany is that unlike those in the prior romances this hierophany is overtly supported by a religious doctrine ...
Cuprins
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
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Alte ediții - Afișează-le pe toate
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Volumul 10 Robert W. Uphaus Previzualizare limitată - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Previzualizare limitată - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Previzualizare limitată - 2021 |
Termeni și expresii frecvente
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey