The Theory and Practice of Water Colour Painting, EtcAckermann and Company, 1840 - 123 pagini |
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Pagina 26
... variety of tints so perceptible through- out nature are composed of these , either indi- vidually or combined . What tends to corro- borate this is , that with them the colour of all objects , however varied , may be imitated , and even ...
... variety of tints so perceptible through- out nature are composed of these , either indi- vidually or combined . What tends to corro- borate this is , that with them the colour of all objects , however varied , may be imitated , and even ...
Pagina 27
... and red ; the orange , by the red and yellow ; and the white , by a complete union of the three ; and so on to an unlimited variety of tints . Objects are also much influenced by the colour of the light thrown upon them ON COLOUR . 27.
... and red ; the orange , by the red and yellow ; and the white , by a complete union of the three ; and so on to an unlimited variety of tints . Objects are also much influenced by the colour of the light thrown upon them ON COLOUR . 27.
Pagina 47
... variety of mellow tints blend imperceptibly together , it will be necessary to have the follow- ing colours prepared separately upon the palette : Yellow Ochre , with the addition of a little Indian Red ; Indian Red alone ; Cobalt ...
... variety of mellow tints blend imperceptibly together , it will be necessary to have the follow- ing colours prepared separately upon the palette : Yellow Ochre , with the addition of a little Indian Red ; Indian Red alone ; Cobalt ...
Pagina 48
... variety of undetermined tints . This process , however , requires expedition , or the first wash will become too dry to enable the practitioner to effect his purpose . He should also avoid mixing the colours with the brush , as the damp ...
... variety of undetermined tints . This process , however , requires expedition , or the first wash will become too dry to enable the practitioner to effect his purpose . He should also avoid mixing the colours with the brush , as the damp ...
Pagina 52
... variety of tints which they exhibit , partaking chiefly of the purplish gray , diversified occasionally with light and silvery tones , which when opposed by the velvet - like moss that usually grows upon them , and frequently in large ...
... variety of tints which they exhibit , partaking chiefly of the purplish gray , diversified occasionally with light and silvery tones , which when opposed by the velvet - like moss that usually grows upon them , and frequently in large ...
Alte ediții - Afișează-le pe toate
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2014 |
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
12 ditto 24 ditto ACKERMANN agreeable appear applied beautiful bistre Black blue Brown Madder Brown Pink Burnt CAMEL HAIR Chalk Chrome Yellow Claude Lorraine clouds Cobalt damp dark DEAR SIR Ditto Ditto Ditto drawing DRAWING-BOOK effect endeavour exhibition feel finishing flat brush flowers foreground Gamboge GEORGE BARRET glow gray tint green half-bound imitation Imperial 4to Imperial Folio Inches Indian Red Indian Yellow Indian-ink Indigo J. D. Harding Lake landscape Light Red Madder Lake Mahogany Boxes middle distance mind Naples Yellow nature necessary objects observe OIL PAINTING Orpiment outline paper pencil perfectly persons picture Pink Madder Portfolio proceed produce Prussian Blue pupil Purple purplish gray Raw Sienna remarks Royal Saucers scene shadow Sienna SKETCHES soft spectator spot stem taste Three Numbers tone trees Twenty-six Plates Ultramarine Vandyke Brown variety of tints various wash WATER COLOUR PAINTING Yellow Ochre young artist
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Pagina 108 - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
Pagina 9 - Hints on Light and Shadow, Composition, &c., as applicable to Landscape Painting.
Pagina 9 - FIELDING'S TREATISE ON THE ANCIENT AND MODERN PRACTICE OF PAINTING IN OIL AND WATER COLOURS, as applicable for either Landscape or Portraits, including the Chemical Properties and Preparations of Colours, Vehicles, and...
Pagina 3 - Dragon's Blood Dutch Pink Emerald Green, 1 & 2 French Green Full Red Gamboge Green Bice Green Verditer Hooker's Green, 1 & 2 Indigo Indian Red Italian Pink Ivory Black King's Yellow Lac Lake Lamp Black Light Red Mineral Blue Naples Yellow Neutral Tint Olive Green Payne's Neutral Tint...
Pagina 4 - Pencitt for Drawing, used by Artists, Drawing-Masters, and Pupils (double thick in Lead), serve for the deep Shades and Finishing Touches, 9d.
Pagina 7 - Prints in their possession, as they can only be received back ag-ain in a reasonably good state. Such as may have been creased, received oil, ink, or colour spots, or are torn or cut, must be paid for. ' THE GRAPHIC MIRROR. For sketching from Nature, reducing, &c. with accuracy and despatch. The difficulties known to exist in the Camera Lucida are obviated in this instrument...
Pagina 2 - Ditto ............ ditto ............ ditto ............... 18 ditto, ditto 330 Ditto ............ ditto ............ ditto ............... 24 ditto, ditto 440 Ditto ............ ditto ............ ditto ............... 32 ditto, ditto 550 Ditto ............ ditto ............ 30 Cakes, larger Box and Extras 5 15 6 Ditto ............ ditto ............ 40 ditto ... ditto ......... ditto... 12 0 0 Ackermann's Bijou fiat mahogany Colour Box ..................... 1 1 0 - Ladies...
Pagina 8 - In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s. RICHARDSON'S SKETCHES IN ITALY, SWITZERLAND, AND FRANCE. In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s.
Pagina 116 - ... of the subject, it will be necessary, in the first place, to...
Pagina 9 - ... fruit, was remarkably fine, as was also a species of betonica, and an indigenous citron, of which there are two kinds peculiar to Madagascar, with rich glossy foliage. The house of the harbour master was a well constructed native dwelling, about forty feet long and between twenty and thirty feet high, with a door in the centre and a window on each side, the whole front shaded by a broad verandah, and the house thatched with the leaves of the traveller's tree.