The Theory and Practice of Water Colour Painting, EtcAckermann and Company, 1840 - 123 pagini |
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Pagina 15
... produce the contrary effect . The direction of the shading should be varied according to the form of the object , and when it becomes necessary to increase it , the strokes should be in a different direction from the first , crossing ...
... produce the contrary effect . The direction of the shading should be varied according to the form of the object , and when it becomes necessary to increase it , the strokes should be in a different direction from the first , crossing ...
Pagina 18
... time to making pencil drawings , as the brush will produce more effect in much less time . This , however , I will treat of in my next Letter . I am , & c . LETTER IV . MY DEAR SIR ; of HAVING concluded 18 ON SHADING .
... time to making pencil drawings , as the brush will produce more effect in much less time . This , however , I will treat of in my next Letter . I am , & c . LETTER IV . MY DEAR SIR ; of HAVING concluded 18 ON SHADING .
Pagina 19
... fuel : the soot of the latter is to be preferred , as it will produce the richest brown when boiled for some time in water , and will become very transparent if allowed to remain in a wide - mouthed bottle without a c 2 IV.
... fuel : the soot of the latter is to be preferred , as it will produce the richest brown when boiled for some time in water , and will become very transparent if allowed to remain in a wide - mouthed bottle without a c 2 IV.
Pagina 22
... produce the necessary gradation to the horizon . I must add , that success depends upon expedition , for should the first wash begin to dry , the second will not unite with it , but will have a streak across the sky ; or if any part is ...
... produce the necessary gradation to the horizon . I must add , that success depends upon expedition , for should the first wash begin to dry , the second will not unite with it , but will have a streak across the sky ; or if any part is ...
Pagina 23
... foreground as near the required strength as pos- sible , for a repetition of washes , in this style of drawing , will certainly produce heaviness . I am , & c . MY DEAR SIR ; As the pupil is now introduced APPLICATION OF THE BRUSH . 23.
... foreground as near the required strength as pos- sible , for a repetition of washes , in this style of drawing , will certainly produce heaviness . I am , & c . MY DEAR SIR ; As the pupil is now introduced APPLICATION OF THE BRUSH . 23.
Alte ediții - Afișează-le pe toate
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2014 |
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
12 ditto 24 ditto ACKERMANN agreeable appear applied beautiful bistre Black blue Brown Madder Brown Pink Burnt CAMEL HAIR Chalk Chrome Yellow Claude Lorraine clouds Cobalt damp dark DEAR SIR Ditto Ditto Ditto drawing DRAWING-BOOK effect endeavour exhibition feel finishing flat brush flowers foreground Gamboge GEORGE BARRET glow gray tint green half-bound imitation Imperial 4to Imperial Folio Inches Indian Red Indian Yellow Indian-ink Indigo J. D. Harding Lake landscape Light Red Madder Lake Mahogany Boxes middle distance mind Naples Yellow nature necessary objects observe OIL PAINTING Orpiment outline paper pencil perfectly persons picture Pink Madder Portfolio proceed produce Prussian Blue pupil Purple purplish gray Raw Sienna remarks Royal Saucers scene shadow Sienna SKETCHES soft spectator spot stem taste Three Numbers tone trees Twenty-six Plates Ultramarine Vandyke Brown variety of tints various wash WATER COLOUR PAINTING Yellow Ochre young artist
Pasaje populare
Pagina 108 - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
Pagina 9 - Hints on Light and Shadow, Composition, &c., as applicable to Landscape Painting.
Pagina 9 - FIELDING'S TREATISE ON THE ANCIENT AND MODERN PRACTICE OF PAINTING IN OIL AND WATER COLOURS, as applicable for either Landscape or Portraits, including the Chemical Properties and Preparations of Colours, Vehicles, and...
Pagina 3 - Dragon's Blood Dutch Pink Emerald Green, 1 & 2 French Green Full Red Gamboge Green Bice Green Verditer Hooker's Green, 1 & 2 Indigo Indian Red Italian Pink Ivory Black King's Yellow Lac Lake Lamp Black Light Red Mineral Blue Naples Yellow Neutral Tint Olive Green Payne's Neutral Tint...
Pagina 4 - Pencitt for Drawing, used by Artists, Drawing-Masters, and Pupils (double thick in Lead), serve for the deep Shades and Finishing Touches, 9d.
Pagina 7 - Prints in their possession, as they can only be received back ag-ain in a reasonably good state. Such as may have been creased, received oil, ink, or colour spots, or are torn or cut, must be paid for. ' THE GRAPHIC MIRROR. For sketching from Nature, reducing, &c. with accuracy and despatch. The difficulties known to exist in the Camera Lucida are obviated in this instrument...
Pagina 2 - Ditto ............ ditto ............ ditto ............... 18 ditto, ditto 330 Ditto ............ ditto ............ ditto ............... 24 ditto, ditto 440 Ditto ............ ditto ............ ditto ............... 32 ditto, ditto 550 Ditto ............ ditto ............ 30 Cakes, larger Box and Extras 5 15 6 Ditto ............ ditto ............ 40 ditto ... ditto ......... ditto... 12 0 0 Ackermann's Bijou fiat mahogany Colour Box ..................... 1 1 0 - Ladies...
Pagina 8 - In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s. RICHARDSON'S SKETCHES IN ITALY, SWITZERLAND, AND FRANCE. In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s.
Pagina 116 - ... of the subject, it will be necessary, in the first place, to...
Pagina 9 - ... fruit, was remarkably fine, as was also a species of betonica, and an indigenous citron, of which there are two kinds peculiar to Madagascar, with rich glossy foliage. The house of the harbour master was a well constructed native dwelling, about forty feet long and between twenty and thirty feet high, with a door in the centre and a window on each side, the whole front shaded by a broad verandah, and the house thatched with the leaves of the traveller's tree.