The Theory and Practice of Water Colour Painting, EtcAckermann and Company, 1840 - 123 pagini |
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Pagina 24
... mind . Indeed , without the most careful observation of nature , aided by an active exertion of the reason , no one can ever become a good colourist , for he that depends upon his eye only will be continually deceived , and I am in ...
... mind . Indeed , without the most careful observation of nature , aided by an active exertion of the reason , no one can ever become a good colourist , for he that depends upon his eye only will be continually deceived , and I am in ...
Pagina 26
... is produced . The true cause , perhaps , like many other secret workings of nature , will ever remain a mystery ; still the mind of man is prone to speculate , and I will ( though with diffidence ) submit a few remarks to 26 ON COLOUR .
... is produced . The true cause , perhaps , like many other secret workings of nature , will ever remain a mystery ; still the mind of man is prone to speculate , and I will ( though with diffidence ) submit a few remarks to 26 ON COLOUR .
Pagina 29
... that would arise in his mind as to which style he should follow . In a future Letter I will point out the various styles of the different masters . I am , & c . MY DEAR SIR ; As I intend in this Letter ON COLOUR . 29.
... that would arise in his mind as to which style he should follow . In a future Letter I will point out the various styles of the different masters . I am , & c . MY DEAR SIR ; As I intend in this Letter ON COLOUR . 29.
Pagina 38
... mind when contemplating so calm and beautiful an appearance . Should he be so fortunate as to reside where he can refer to nature occa- sionally as he proceeds , he will then have the true source of improvement before him . The warm ...
... mind when contemplating so calm and beautiful an appearance . Should he be so fortunate as to reside where he can refer to nature occa- sionally as he proceeds , he will then have the true source of improvement before him . The warm ...
Pagina 48
... mind at the same time that they are seen through the medium of a warm atmosphere , which will make it necessary to exclude all crude and positive colours that may interfere with the general warmth and harmony of the effect . Of these ...
... mind at the same time that they are seen through the medium of a warm atmosphere , which will make it necessary to exclude all crude and positive colours that may interfere with the general warmth and harmony of the effect . Of these ...
Alte ediții - Afișează-le pe toate
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2014 |
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
12 ditto 24 ditto ACKERMANN agreeable appear applied beautiful bistre Black blue Brown Madder Brown Pink Burnt CAMEL HAIR Chalk Chrome Yellow Claude Lorraine clouds Cobalt damp dark DEAR SIR Ditto Ditto Ditto drawing DRAWING-BOOK effect endeavour exhibition feel finishing flat brush flowers foreground Gamboge GEORGE BARRET glow gray tint green half-bound imitation Imperial 4to Imperial Folio Inches Indian Red Indian Yellow Indian-ink Indigo J. D. Harding Lake landscape Light Red Madder Lake Mahogany Boxes middle distance mind Naples Yellow nature necessary objects observe OIL PAINTING Orpiment outline paper pencil perfectly persons picture Pink Madder Portfolio proceed produce Prussian Blue pupil Purple purplish gray Raw Sienna remarks Royal Saucers scene shadow Sienna SKETCHES soft spectator spot stem taste Three Numbers tone trees Twenty-six Plates Ultramarine Vandyke Brown variety of tints various wash WATER COLOUR PAINTING Yellow Ochre young artist
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Pagina 108 - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
Pagina 9 - Hints on Light and Shadow, Composition, &c., as applicable to Landscape Painting.
Pagina 9 - FIELDING'S TREATISE ON THE ANCIENT AND MODERN PRACTICE OF PAINTING IN OIL AND WATER COLOURS, as applicable for either Landscape or Portraits, including the Chemical Properties and Preparations of Colours, Vehicles, and...
Pagina 3 - Dragon's Blood Dutch Pink Emerald Green, 1 & 2 French Green Full Red Gamboge Green Bice Green Verditer Hooker's Green, 1 & 2 Indigo Indian Red Italian Pink Ivory Black King's Yellow Lac Lake Lamp Black Light Red Mineral Blue Naples Yellow Neutral Tint Olive Green Payne's Neutral Tint...
Pagina 4 - Pencitt for Drawing, used by Artists, Drawing-Masters, and Pupils (double thick in Lead), serve for the deep Shades and Finishing Touches, 9d.
Pagina 7 - Prints in their possession, as they can only be received back ag-ain in a reasonably good state. Such as may have been creased, received oil, ink, or colour spots, or are torn or cut, must be paid for. ' THE GRAPHIC MIRROR. For sketching from Nature, reducing, &c. with accuracy and despatch. The difficulties known to exist in the Camera Lucida are obviated in this instrument...
Pagina 2 - Ditto ............ ditto ............ ditto ............... 18 ditto, ditto 330 Ditto ............ ditto ............ ditto ............... 24 ditto, ditto 440 Ditto ............ ditto ............ ditto ............... 32 ditto, ditto 550 Ditto ............ ditto ............ 30 Cakes, larger Box and Extras 5 15 6 Ditto ............ ditto ............ 40 ditto ... ditto ......... ditto... 12 0 0 Ackermann's Bijou fiat mahogany Colour Box ..................... 1 1 0 - Ladies...
Pagina 8 - In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s. RICHARDSON'S SKETCHES IN ITALY, SWITZERLAND, AND FRANCE. In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s.
Pagina 116 - ... of the subject, it will be necessary, in the first place, to...
Pagina 9 - ... fruit, was remarkably fine, as was also a species of betonica, and an indigenous citron, of which there are two kinds peculiar to Madagascar, with rich glossy foliage. The house of the harbour master was a well constructed native dwelling, about forty feet long and between twenty and thirty feet high, with a door in the centre and a window on each side, the whole front shaded by a broad verandah, and the house thatched with the leaves of the traveller's tree.