The Theory and Practice of Water Colour Painting, EtcAckermann and Company, 1840 - 123 pagini |
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Pagina 5
George BARRET. clean line over every part , which will give all the effect of its having been done at once ; at the same time he should increase the boldness of the outline as it approaches the foreground . I would advise him to avoid as ...
George BARRET. clean line over every part , which will give all the effect of its having been done at once ; at the same time he should increase the boldness of the outline as it approaches the foreground . I would advise him to avoid as ...
Pagina 14
... effect of light and co- lour , when circumstances will not permit the artist to complete his sketch , is very useful in assisting the memory , and may be done upon the sketch ; but if much writing is required , it would confuse the ...
... effect of light and co- lour , when circumstances will not permit the artist to complete his sketch , is very useful in assisting the memory , and may be done upon the sketch ; but if much writing is required , it would confuse the ...
Pagina 15
... effect . The direction of the shading should be varied according to the form of the object , and when it becomes necessary to increase it , the strokes should be in a different direction from the first , crossing them obliquely . There ...
... effect . The direction of the shading should be varied according to the form of the object , and when it becomes necessary to increase it , the strokes should be in a different direction from the first , crossing them obliquely . There ...
Pagina 16
... effect may be produced by a vigorous application of the pencil . Two pencils will be required , one moderately soft , the other as black as possible ; the first is marked with one B , and the second with two : but unfor- tunately the ...
... effect may be produced by a vigorous application of the pencil . Two pencils will be required , one moderately soft , the other as black as possible ; the first is marked with one B , and the second with two : but unfor- tunately the ...
Pagina 18
... devote too much time to making pencil drawings , as the brush will produce more effect in much less time . This , however , I will treat of in my next Letter . I am , & c . LETTER IV . MY DEAR SIR ; of HAVING concluded 18 ON SHADING .
... devote too much time to making pencil drawings , as the brush will produce more effect in much less time . This , however , I will treat of in my next Letter . I am , & c . LETTER IV . MY DEAR SIR ; of HAVING concluded 18 ON SHADING .
Alte ediții - Afișează-le pe toate
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2014 |
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
12 ditto 24 ditto ACKERMANN agreeable appear applied beautiful bistre Black blue Brown Madder Brown Pink Burnt CAMEL HAIR Chalk Chrome Yellow Claude Lorraine clouds Cobalt damp dark DEAR SIR Ditto Ditto Ditto drawing DRAWING-BOOK effect endeavour exhibition feel finishing flat brush flowers foreground Gamboge GEORGE BARRET glow gray tint green half-bound imitation Imperial 4to Imperial Folio Inches Indian Red Indian Yellow Indian-ink Indigo J. D. Harding Lake landscape Light Red Madder Lake Mahogany Boxes middle distance mind Naples Yellow nature necessary objects observe OIL PAINTING Orpiment outline paper pencil perfectly persons picture Pink Madder Portfolio proceed produce Prussian Blue pupil Purple purplish gray Raw Sienna remarks Royal Saucers scene shadow Sienna SKETCHES soft spectator spot stem taste Three Numbers tone trees Twenty-six Plates Ultramarine Vandyke Brown variety of tints various wash WATER COLOUR PAINTING Yellow Ochre young artist
Pasaje populare
Pagina 108 - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
Pagina 9 - Hints on Light and Shadow, Composition, &c., as applicable to Landscape Painting.
Pagina 9 - FIELDING'S TREATISE ON THE ANCIENT AND MODERN PRACTICE OF PAINTING IN OIL AND WATER COLOURS, as applicable for either Landscape or Portraits, including the Chemical Properties and Preparations of Colours, Vehicles, and...
Pagina 3 - Dragon's Blood Dutch Pink Emerald Green, 1 & 2 French Green Full Red Gamboge Green Bice Green Verditer Hooker's Green, 1 & 2 Indigo Indian Red Italian Pink Ivory Black King's Yellow Lac Lake Lamp Black Light Red Mineral Blue Naples Yellow Neutral Tint Olive Green Payne's Neutral Tint...
Pagina 4 - Pencitt for Drawing, used by Artists, Drawing-Masters, and Pupils (double thick in Lead), serve for the deep Shades and Finishing Touches, 9d.
Pagina 7 - Prints in their possession, as they can only be received back ag-ain in a reasonably good state. Such as may have been creased, received oil, ink, or colour spots, or are torn or cut, must be paid for. ' THE GRAPHIC MIRROR. For sketching from Nature, reducing, &c. with accuracy and despatch. The difficulties known to exist in the Camera Lucida are obviated in this instrument...
Pagina 2 - Ditto ............ ditto ............ ditto ............... 18 ditto, ditto 330 Ditto ............ ditto ............ ditto ............... 24 ditto, ditto 440 Ditto ............ ditto ............ ditto ............... 32 ditto, ditto 550 Ditto ............ ditto ............ 30 Cakes, larger Box and Extras 5 15 6 Ditto ............ ditto ............ 40 ditto ... ditto ......... ditto... 12 0 0 Ackermann's Bijou fiat mahogany Colour Box ..................... 1 1 0 - Ladies...
Pagina 8 - In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s. RICHARDSON'S SKETCHES IN ITALY, SWITZERLAND, AND FRANCE. In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s.
Pagina 116 - ... of the subject, it will be necessary, in the first place, to...
Pagina 9 - ... fruit, was remarkably fine, as was also a species of betonica, and an indigenous citron, of which there are two kinds peculiar to Madagascar, with rich glossy foliage. The house of the harbour master was a well constructed native dwelling, about forty feet long and between twenty and thirty feet high, with a door in the centre and a window on each side, the whole front shaded by a broad verandah, and the house thatched with the leaves of the traveller's tree.