The Theory and Practice of Water Colour Painting, EtcAckermann and Company, 1840 - 123 pagini |
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Pagina 31
... Italy to study , and also to make draw- ings for him , greatly improved upon this meagre style of colouring by first forwarding his subjects with a gray tint composed with blue , red , and yellow , so far as to produce the general ...
... Italy to study , and also to make draw- ings for him , greatly improved upon this meagre style of colouring by first forwarding his subjects with a gray tint composed with blue , red , and yellow , so far as to produce the general ...
Pagina 81
... Italian painters of landscape , they appear trifling . Indeed Gaspar Poussin was evidently a man of very superior genius , who well knew what true art ought to effect . He appears to have collected in many instances the best portions of ...
... Italian painters of landscape , they appear trifling . Indeed Gaspar Poussin was evidently a man of very superior genius , who well knew what true art ought to effect . He appears to have collected in many instances the best portions of ...
Pagina 83
... Italian midday , and the golden glow of the afternoon sun , all of which he represented with surprising truth . Ungenial weather had no charms for him . Not- withstanding the surpassing beauty and truth of his colouring , it is ...
... Italian midday , and the golden glow of the afternoon sun , all of which he represented with surprising truth . Ungenial weather had no charms for him . Not- withstanding the surpassing beauty and truth of his colouring , it is ...
Pagina 3
... Italian Pink . Brown Ochre . Bronze . Pink . Burnt Italian Earth . Burnt Roman Ochre . Sienna . Umber . Chrome Yellow , 1 , 2 , 3 . Cologne Earth . Crimson Vermillion . Hooker's Green , 1 , & 2 . Ivory Black . King's Yellow . Lac Lake ...
... Italian Pink . Brown Ochre . Bronze . Pink . Burnt Italian Earth . Burnt Roman Ochre . Sienna . Umber . Chrome Yellow , 1 , 2 , 3 . Cologne Earth . Crimson Vermillion . Hooker's Green , 1 , & 2 . Ivory Black . King's Yellow . Lac Lake ...
Pagina 6
... Italian Pink . Sixpence each . Raw Sienna . Burnt Sienna . Purple Lake . Indian Lake . Light Red . Venetian Red . Mummy . Indian Red . Brown Pink . Yellow Lake . Roman Ochre . Yellow Ochre . Bone Brown . Brown Ochre . Indigo . Vandyke ...
... Italian Pink . Sixpence each . Raw Sienna . Burnt Sienna . Purple Lake . Indian Lake . Light Red . Venetian Red . Mummy . Indian Red . Brown Pink . Yellow Lake . Roman Ochre . Yellow Ochre . Bone Brown . Brown Ochre . Indigo . Vandyke ...
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The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2014 |
The Theory and Practice of Water Colour Painting: Elucidated in a Series of ... George Barret Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
12 ditto 24 ditto ACKERMANN agreeable appear applied beautiful bistre Black blue Brown Madder Brown Pink Burnt CAMEL HAIR Chalk Chrome Yellow Claude Lorraine clouds Cobalt damp dark DEAR SIR Ditto Ditto Ditto drawing DRAWING-BOOK effect endeavour exhibition feel finishing flat brush flowers foreground Gamboge GEORGE BARRET glow gray tint green half-bound imitation Imperial 4to Imperial Folio Inches Indian Red Indian Yellow Indian-ink Indigo J. D. Harding Lake landscape Light Red Madder Lake Mahogany Boxes middle distance mind Naples Yellow nature necessary objects observe OIL PAINTING Orpiment outline paper pencil perfectly persons picture Pink Madder Portfolio proceed produce Prussian Blue pupil Purple purplish gray Raw Sienna remarks Royal Saucers scene shadow Sienna SKETCHES soft spectator spot stem taste Three Numbers tone trees Twenty-six Plates Ultramarine Vandyke Brown variety of tints various wash WATER COLOUR PAINTING Yellow Ochre young artist
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Pagina 108 - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
Pagina 9 - Hints on Light and Shadow, Composition, &c., as applicable to Landscape Painting.
Pagina 9 - FIELDING'S TREATISE ON THE ANCIENT AND MODERN PRACTICE OF PAINTING IN OIL AND WATER COLOURS, as applicable for either Landscape or Portraits, including the Chemical Properties and Preparations of Colours, Vehicles, and...
Pagina 3 - Dragon's Blood Dutch Pink Emerald Green, 1 & 2 French Green Full Red Gamboge Green Bice Green Verditer Hooker's Green, 1 & 2 Indigo Indian Red Italian Pink Ivory Black King's Yellow Lac Lake Lamp Black Light Red Mineral Blue Naples Yellow Neutral Tint Olive Green Payne's Neutral Tint...
Pagina 4 - Pencitt for Drawing, used by Artists, Drawing-Masters, and Pupils (double thick in Lead), serve for the deep Shades and Finishing Touches, 9d.
Pagina 7 - Prints in their possession, as they can only be received back ag-ain in a reasonably good state. Such as may have been creased, received oil, ink, or colour spots, or are torn or cut, must be paid for. ' THE GRAPHIC MIRROR. For sketching from Nature, reducing, &c. with accuracy and despatch. The difficulties known to exist in the Camera Lucida are obviated in this instrument...
Pagina 2 - Ditto ............ ditto ............ ditto ............... 18 ditto, ditto 330 Ditto ............ ditto ............ ditto ............... 24 ditto, ditto 440 Ditto ............ ditto ............ ditto ............... 32 ditto, ditto 550 Ditto ............ ditto ............ 30 Cakes, larger Box and Extras 5 15 6 Ditto ............ ditto ............ 40 ditto ... ditto ......... ditto... 12 0 0 Ackermann's Bijou fiat mahogany Colour Box ..................... 1 1 0 - Ladies...
Pagina 8 - In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s. RICHARDSON'S SKETCHES IN ITALY, SWITZERLAND, AND FRANCE. In Twenty-six Plates. Imperial Folio, half-bound, Tinted, 41. 4s.; Coloured, in Portfolio, 101. 10s.
Pagina 116 - ... of the subject, it will be necessary, in the first place, to...
Pagina 9 - ... fruit, was remarkably fine, as was also a species of betonica, and an indigenous citron, of which there are two kinds peculiar to Madagascar, with rich glossy foliage. The house of the harbour master was a well constructed native dwelling, about forty feet long and between twenty and thirty feet high, with a door in the centre and a window on each side, the whole front shaded by a broad verandah, and the house thatched with the leaves of the traveller's tree.