Historical Memoir on Italian Tragedy: From the Earliest Period to the Present Time : Illustrated with Specimens and Analyses of the Most Celebrated Tragedies and Interspersed with Occasional Observations on the Italian Theatres and Biographical Notices of the Principal Tragic Writers of Italy
E. Harding, 1799 - 338 pagini
Alte ediții - Afișează-le pe toate
Abate Acrip Addison admirable altri amongst amore ancor Andreini appeared Atto bard Baretti Bernardo Accolti blank verse Bologna Cæsar Cato Catone celebrated character chorus comedy Crescimbeni death dedication dolce duke edition elegant entitled exhibited fable fatto Ferrara Florence forza Francesco Fulvio Testi gedy genius gran Greek honor imitation ingenious Italian drama Italian language Italian stage Italian tragedy Italy learned letter Lond Lorenzo Maffei Manso Marquis Medici Merope Metastasio Milton Modena morte muse Naples notice observed occasion occhi ogni Olympic Theatre opera Orbecche padre Padua passage passion pastoral performed petto piece Plautus poco poem poet praise printed published reader Riccoboni Roman Rome Rosmunda Rucellai says scena scene SECT seems sempre Signor Signorelli Sofonisba Sophonisba Tasso teatro theatre tion tragic tragic muse translation Trissino tutto Ubald Valvasone Venice Vicenza vita Voltaire writers
Pagina 58 - It was the lark, the herald of the morn, No nightingale : look, love, what envious streaks Do lace the severing clouds in yonder east : Night's candles are burnt out...
Pagina 332 - Oh, think what anxious moments pass between The birth of plots, and their last fatal periods! Oh, 'tis a dreadful interval of time, Fill'd up with horror all, and big with death...
Pagina 125 - His histories, being neither tragedies nor comedies, are not subject to any of their laws ; nothing more is necessary to all the praise which they expect, than that the changes of action be so prepared as to be understood, that the incidents be various and affecting, and the characters consistent, natural, and distinct. No other unity is intended, and therefore none is to be sought. In his other works he has well enough preserved the unity of action.
Pagina 205 - Here I observed certaine things that I never saw before. For I saw women acte, a thing that I never saw before, though I have heard that it hath beene sometimes used in London, and they performed it with as good a grace, action, gesture, and whatsoever convenient for a Player, as ever I saw any masculine Actor.
Pagina xli - Father, first they sung omnipotent, Immutable, immortal, infinite, Eternal King; thee, author of all being, Fountain of light, thyself invisible Amidst the glorious brightness where thou sitt'st Throned inaccessible, but when thou shad'st The full blaze of thy beams, and through a cloud Drawn round about thee like a radiant shrine, Dark with excessive bright thy skirts appear, Yet dazzle Heaven, that brightest Seraphim Approach not, but with both wings veil their eyes.
Pagina 63 - One of our late great poets is sunk in his reputation, because he could never forgive any conceit which came in his way; but swept like a drag-net, great and small.
Pagina xx - Pompey fought for Caesar, Oh ! my friends How is the toil of fate, the work of ages, The Roman empire fallen ! O curst ambition!
Pagina xviii - Cato, thou hast a daughter. CATO. Adieu, young Prince: I would not hear a word Should lessen thee in my esteem...