The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina v
... whole time the work was in hand ; to Miss Emily Daymond , of Holloway College , for reading the proofs ; to Mr. W. Barclay Squire , for untiring readiness to make the resources of the Musical Library of the British Museum available ; to ...
... whole time the work was in hand ; to Miss Emily Daymond , of Holloway College , for reading the proofs ; to Mr. W. Barclay Squire , for untiring readiness to make the resources of the Musical Library of the British Museum available ; to ...
Pagina 9
... whole art from polka to symphony ; and , paradoxical as it may seem , the fascination which some modern sensuous dance - tunes exercise is derived from a distinctly canta . bile treatment of the tune , which appeals to the PRELIMINARIES 9.
... whole art from polka to symphony ; and , paradoxical as it may seem , the fascination which some modern sensuous dance - tunes exercise is derived from a distinctly canta . bile treatment of the tune , which appeals to the PRELIMINARIES 9.
Pagina 11
... whole being is to be maintained , it must be by rousing the excitable faculties of other parts or centres of the organism ; and it is while these other faculties or nerve - centres are being worked upon that the faculties which have ...
... whole being is to be maintained , it must be by rousing the excitable faculties of other parts or centres of the organism ; and it is while these other faculties or nerve - centres are being worked upon that the faculties which have ...
Pagina 13
... whole art , and forms , next to the definition of material , its most essential feature . The The law of contrasts forms the basis of all the important forms of the art , for a most obvious and natural reason . principle of sympathetic ...
... whole art , and forms , next to the definition of material , its most essential feature . The The law of contrasts forms the basis of all the important forms of the art , for a most obvious and natural reason . principle of sympathetic ...
Pagina 18
... whole material of music , and their scheme of æsthetics is totally alien from such a highly arti- ficial and intellectual development as that of modern European music . In melodic systems the influence of vocal music is infinitely ...
... whole material of music , and their scheme of æsthetics is totally alien from such a highly arti- ficial and intellectual development as that of modern European music . In melodic systems the influence of vocal music is infinitely ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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