The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina vii
... song and dancing - Melody and rhythm - The art based upon contrasts - Nervous exhaustion and its influence on the art- Tension and relaxation - Organisation PAGE CHAPTER II SCALES Definite relations of pitch indispensable - Slow ...
... song and dancing - Melody and rhythm - The art based upon contrasts - Nervous exhaustion and its influence on the art- Tension and relaxation - Organisation PAGE CHAPTER II SCALES Definite relations of pitch indispensable - Slow ...
Pagina x
... song - Treatment of words - Expres sion and design - Pianoforte music - Obviousness and obscurity -Realism - Great variety of traits and forms · 273 CHAPTER XIV MODERN PHASES OF OPERA Italian disposition and its fruits - French opera ...
... song - Treatment of words - Expres sion and design - Pianoforte music - Obviousness and obscurity -Realism - Great variety of traits and forms · 273 CHAPTER XIV MODERN PHASES OF OPERA Italian disposition and its fruits - French opera ...
Pagina 7
... song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and emotions are expressed . All dancing is ultimately derived from ...
... song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and emotions are expressed . All dancing is ultimately derived from ...
Pagina 8
... song . Both express emotions in their respective ways , and both convey the excitement of the performers to sympathetic listeners ; and both lose the obvious traces of their origin in the development of artistic devices . As the ruder ...
... song . Both express emotions in their respective ways , and both convey the excitement of the performers to sympathetic listeners ; and both lose the obvious traces of their origin in the development of artistic devices . As the ruder ...
Pagina 42
... song had been generally in the bass , and had been doubled in the higher parts ; then it was transferred to the middle parts , and other melodies called counterpoints were written round it ; and then , finally , a totally new aspect of ...
... song had been generally in the bass , and had been doubled in the higher parts ; then it was transferred to the middle parts , and other melodies called counterpoints were written round it ; and then , finally , a totally new aspect of ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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