The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina ix
... SONATA " FORM Self - dependent music and design - Successive stages of development -Subject and form - Influences which formed the musical characters of Haydu and Mozart - Symphonies - Orchestration -Quartetts - Increase of variety of ...
... SONATA " FORM Self - dependent music and design - Successive stages of development -Subject and form - Influences which formed the musical characters of Haydu and Mozart - Symphonies - Orchestration -Quartetts - Increase of variety of ...
Pagina 149
... sonata ; the second was a short slow movement aiming at expression ; and the third a lively allegro ; and this scheme came to be universally adopted even till the time of Mozart , who wrote his early opera overtures in this form . When ...
... sonata ; the second was a short slow movement aiming at expression ; and the third a lively allegro ; and this scheme came to be universally adopted even till the time of Mozart , who wrote his early opera overtures in this form . When ...
Pagina 151
... Sonata da Camera was mainly a group of dance movements , essentially secular in style ; a Sonata da Chiesa was a group of abstract movements in more serious style , generally comprising a fugue or some other contrapuntal movement ...
... Sonata da Camera was mainly a group of dance movements , essentially secular in style ; a Sonata da Chiesa was a group of abstract movements in more serious style , generally comprising a fugue or some other contrapuntal movement ...
Pagina 154
... sonata forms . It was not indeed till the resources of music were developed all round to the very highest pitch that any better form for choral music was found ; and then finally the old pure type of fugue gave way to forms of art which ...
... sonata forms . It was not indeed till the resources of music were developed all round to the very highest pitch that any better form for choral music was found ; and then finally the old pure type of fugue gave way to forms of art which ...
Pagina 176
... sonata order long before John Sebastian Bach put the crown on the old style of instrumental music . Bach himself tried experiments in this line , and did his utmost to master and gauge the value of the new style , by copying ...
... sonata order long before John Sebastian Bach put the crown on the old style of instrumental music . Bach himself tried experiments in this line , and did his utmost to master and gauge the value of the new style , by copying ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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