The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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... scheme of design is introduced to enhance the beauty or inherent interest of the artist's thought . In music , form and design are most obviously necessary , not only because without them the impression conveyed is indefinite and ...
... scheme of design is introduced to enhance the beauty or inherent interest of the artist's thought . In music , form and design are most obviously necessary , not only because without them the impression conveyed is indefinite and ...
Pagina 17
... schemes ; and the result is that they are infinitely variable in different scales Some systems have major thirds , and some minor ; and some have thirds that are between the two . Sixths are proportionately variable , and are often ...
... schemes ; and the result is that they are infinitely variable in different scales Some systems have major thirds , and some minor ; and some have thirds that are between the two . Sixths are proportionately variable , and are often ...
Pagina 18
... scheme of artistic design . Our scale has had to be transformed entirely from the ancient modes in order to make the harmonic scheme of musical art possible ; and in this process the attitude of the cultivators of other systems towards ...
... scheme of artistic design . Our scale has had to be transformed entirely from the ancient modes in order to make the harmonic scheme of musical art possible ; and in this process the attitude of the cultivators of other systems towards ...
Pagina 22
... scheme of the key of C remains distinct in the mind of an intelligent musical person even when a player sounds all the black notes in a couple of bars which are nominally in that key . It undoubtedly made a great difference whether the ...
... scheme of the key of C remains distinct in the mind of an intelligent musical person even when a player sounds all the black notes in a couple of bars which are nominally in that key . It undoubtedly made a great difference whether the ...
Pagina 23
... scheme extend much beyond what could be reproduced upon the white keys of the pianoforte and an occasional B and C # ; and all the notes used were comprised within the limits of the low A in the bass stave and the E at the top of the ...
... scheme extend much beyond what could be reproduced upon the white keys of the pianoforte and an occasional B and C # ; and all the notes used were comprised within the limits of the low A in the bass stave and the E at the top of the ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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